Posts Tagged ‘poem’
lily-of-the-valley
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lily-of-the-valley
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Convallaria majalis L.
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where they came from
I do not know, perhaps
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from my mother’s old home
in a shovel-full of lilac
a sheet of white writing paper
in a green box crammed with letters
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perhaps from my grandfather’s farm
tucked in beside the creeping Jenny
a green and white plate printed
with a saying about home
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perhaps from a seed in the gravel
spread on the paths or the road
a line of red pebbles
in a spill of quartz
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every summer the colony spreads
green flames lick at gravel
white bells, delicate perfume
scarlet berries
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a letter not written
a plate hung on the wall
a pathway leading home
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All my best!
Stay safe!
Jane
scraps of paper
Occasionally I tackle a stack of stray papers. These are usually bits saved years ago, once thought important. Sometimes I find a scrap of poetry among receipts and old letters. Poetry scribbled when an idea occurs, on any scrap within reach.
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This week I found a draft poem about following rules and the evidence left behind by bad behavior. I have always loved picking blackberries, so it is no surprise to me that picking blackberries was used as a metaphor in the poem.
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defiance
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no denying
the evidence —
pulled threads
and stained fingers
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one drupe
with all its packets
could never mark
so well, each finger
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rolled across the page
indigo tongue
and purple lips, words
blackberry-spoken
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the rule — never take
the path through woods
stick to the road, resist
blueberries, blackberries
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avoid the risk
of bears and brambles
hints of danger
in faerie tales
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Last spring I spent time pulling together some of my many poems into three upcoming books of poetry. This poem will fit well into my manuscript titled ‘niche,’ poems about the spaces plants, animals and people occupy.
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All my best!
Follow the rules of social distancing!
Stay safe!
Jane
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the wisdom of faerie tales
As I write and revise the poetry for my ‘garden escapes‘ project, I search for references to enrich my poems. One category of these is the faerie tale. Many faerie tales include gardens in their tale-telling. Some include wisdom to be applied to my experience of the abandoned garden.
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I have chosen three faerie tales to include in my poems:
Rapunzel: the beautiful girl with the long, long hair is imprisoned in the tower because her father makes a bargain with a witch. In one version of the tale, the father steals rampion bellflower from the witch’s garden and gives his daughter as compensation.
Beauty and the Beast: a beautiful girl falls in love with an ugly beast. The tale tells us that you must sometimes look beneath the exterior to find inner beauty. This is another tale where a father is caught stealing a flower (a rose) from a garden and gives his daughter as compensation. Hmmmm.
Sleeping Beauty: when the princess is put to sleep, a thorny vine grows around the castle to hide her away.
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I have included these faerie tales in three of the poems I have written. Below is my poem incorporating the tale of Sleeping Beauty.
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wild cucumber (Echinocystis lobata)
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I think the story of Sleeping Beauty requires a little retelling, to make the princess less compliant. The three vines in the poem are:
- Clematis (Clematis virginiana): names include virgin’s bower and devil’s darning needle. This climbing vine has delicate white flowers and fluffy seeds
- Virginia creeper (Parthenocissus quinquefolia): an aggressive climber with leaves palmately divided into five lobes
- Wild cucumber (Echinocystis lobata): a prickly annual vine and a climber with tall columns of white flowers
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Virginia creeper (Parthenocissus quinquefolia)
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Sleeping Beauty
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“… round about the castle there began to grow a hedge of thorns, which every year became higher, and at last grew close up round the castle and all over it, so that there was nothing of it to be seen … ” –The Tale of Sleeping Beauty, the Brothers Grimm
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three vines whisper—
Clematis virginiana
Virginia creeper
wild cucumber, reshape
the hawthorn, the rose
with frail flowers
and five fingers
tendrils like springs
disguise the thorns
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keep curiosity seekers away
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dampen noises from
beyond the barrier
where wakeful Beauty
taps her nails
on foundation granite
wonders if anyone
will dare to tear
at tendrils, breach wall
of thorn and vine
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the need for rescue always in doubt
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only decades ago
a home chuckled
behind the hedgerow
mowed lawn and a dyer’s garden
tansy at the cellar door
flax in the meadow
Beauty dibbling seeds
deadheading flowers
tying up sweet pea
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only the cellar remains
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perhaps she will slash
her way through hawthorn
rip out wild cucumber
scrape away suckers of creeper
tame the hawthorn, the briar
renovate house and barn
encourage the scent of sweet pea and petunia
transparency of hollyhock and mallow
whisper of yellow rattle, rustle of grasses
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no more virgin’s bower
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Clematis virginiana
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This work was made possible by a Creations Grant from artsnb!
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All my best.
Are you getting COVID-fatigue?
Stay alert!
Jane
garden escapes: vectors
The term ‘vector’ has different meanings depending on the discipline. In university I took two engineering courses that occupied me in the study of ‘vector’ mathematics!
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In biology, a ‘vector’ is any organism or physical entity that moves an element from one place to another. The idea of vectors is used in epidemiology, in reproductive biology, and in ecology. When I try to understand garden escapes, I am interested in vectors for seed or vegetative dispersal.
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Once a garden is abandoned, the plants there will either die, persist or escape. They escape by way of rhizomes (horizontal roots), rooting of plant parts (suckering) or spreading of seeds.
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Seeds or pieces of plant can be spread to other locations by various vectors: water, soil, air or animals. Seeds, for example, can be carried along by water in a ditch, or can spread by wind that carries seeds on specially adapted seed parts.
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air as a vector for seed transport
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Animal vectors include insects, birds, mammals (including humans). Some of this is deliberate (a squirrel burying acorns) and some is accidental (humans spreading seed by moving soil from one area to another).
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squirrel as a vector for transport of seed
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The various garden escapes I have encountered usually have their preferred vectors.
- lupines- seeds carried through air as a projectile
- orange day-lilies- rhizomes through soil
- yellow loosestrife- rhizomes through soil
- creeping bellflowers- rhizomes through soil
- rose bushes- roots through soil; humans who dig up and replant shoots
- grape vines – suckering, seeds, humans
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This is a poem about a human vector (me):
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paths to come and go on
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Old rugosa rose,
brought the stem and root,
across the ferry
from Grand Manan,
in a banana peel.
Every summer pale
pink blooms on an arc
of thorns, biggest hips
you ever saw. Rose
will outlast the house
and all who live here.
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Virginia creeper
dug From the river bank
below the willow
on Waterloo Row.
Overcomes the pole
and every summer
the power people
pull the creeper down.
Red in the autumn,
sneaks across the lawn,
started down the drive
and along the road.
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The staghorn sumac
pinnate leaves spreading
cast purple shadows,
give a tropical air
to the driveway.
Brought the root and slip
from the gravel pit
in Beaver Dam.
New shoots every year.
Headed direction
of Nasonworth,
last time I looked.
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Note that this project ‘garden escapes’ is funded under a Creations Grant from artsnb (the New Brunswick Arts Board).
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All my best!
Jane
garden escapes: mallow
Mallow was one of the first flowers I had in my garden back in 1980 when we started our own home. Musk mallow (Malva moschata) has deeply divided leaves, papery pink or white petals and a pleasant scent. I loved it so much, I included it in my bridesmaid’s bouquet when I was married.
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Mallow often escapes the garden to live in ditches and in fields. In his Flora of New Brunswick, Hal Hinds says vervain mallow (Malva alcea) has escaped to the borders of fields in the Woodstock area of New Brunswick. So, I was on the lookout for the flower when we drove west of Woodstock to look at abandoned properties. And mallow was one of the first plants we found, growing in the ditch.
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We also found mallow growing at the edge of cultivated fields.
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mallow
Malva moschata
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wind-blown and paper
petals transparent
veined, flutter
in wind
the leaves
frayed and notched
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petals, perfumed in musk
pale pink and white
roadside edged
in field-flowers, bedstraw
day-lilies, yarrow and vetch
and musk mallow, garden escape
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to the edge of the field
to the edge of the road
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Stay home,
wear your mask.
You don’t have to escape.
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This work was made possible by a Creations Grant from artsnb!
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All my best
Jane
abandoned gardens: a pantoum about lilacs
Over the years, faced by change, some communities continue to thrive. Others, once vigorous, may decline and disappear. Sometimes, communities may hang on but individual homes may be abandoned. Abandonment can occur if the owner moves away or dies, or if aspects of the home become unsustainable (for example, a water source dries up).
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When a home is abandoned, what becomes of the vegetable garden, so carefully tended, or the flower gardens, each plant chosen with love and care?
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Annuals are usually the first to go, although biennials may continue to grow for a year and some plants, like sweet William or pansies, may reseed. Perennials may thrive, sometimes for years. Rhubarb, chives and berry crops often continue to grow in a vegetable garden. In the flower garden, peonies, day-lilies and phlox may bloom year after year. Trees and shrubs often persist.
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rhubarb persisting in an old garden
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In my poetry project about abandoned gardens, I want to learn more about various poetry forms. The poem below is written as a pantoum. A pantoum consists of four line stanzas. The second and forth lines of the preceding stanza are used as the first and third lines of the next. The first line of the poem may also be used as the last.
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The poem below is written about an abandoned house in central New Brunswick. Keep in mind, these properties are still owed by someone and the owners may care a great deal about them and perhaps use the property if not the house.
lilac bush next to an old house
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lilacs persist
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delicate scribble of winter wren
lilac, a cushion of shadow and green
props the abandoned house
roof rusted, clapboards and shingles grey
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lilac, a cushion of shadow and green
at night leaves peer in windows
roof rusted, clapboards and shingles grey
features sculpted by overlapping leaves
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at night they peer in windows
stare, front windows to back yard
features sculpted by overlapping leaves
scented panicles of purple bloom
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stare, front windows to back yard
noses tuned to lilac sweet
scented panicles of purple bloom
lilacs persist and thrive
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noses tuned to lilac sweet
roof rusted, clapboards and shingles grey
lilacs persist and thrive
delicate scribble of winter wren
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This work is supported by a Creation Grant from artsnb (the New Brunswick Arts Board)!
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Perhaps we can learn from the lilac …
persist and thrive.
All my best,
Jane
talking trees
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trees in conversation
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they say
if trees communicate
they do so
beneath the ground
communication network
of rootlets
and mycelia
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I still listen
above ground
to the friction squeal
of trunks
rubbing together
flutter of birch bark
whisper of leaves
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I think they try
to learn my language
speak to me
of longevity, the cycle
of the story in layers
added year to year
bilingual trees
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All my best,
Jane
Ball’s Bridge’
In southern Ontario, the Maitland River winds through fields and woodlands before it empties into Lake Huron at Goderich.
When we visited the area two summers ago, we discovered the Ball’s Bridge on the Little Lakes Road.
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Ball’s bridge was built over the Maitland River in 1885. It is a rare example of a two-span pin-connected Pratt through-truss iron bridge and one of the oldest wrought-iron Pratt bridges in the US and Canada. The bridge was built at a time when horse-drawn carriages and carts were its only traffic. In 2006 the bridge was declared unsafe for the weight of modern vehicles. In 2008, the bridge was saved from further deterioration and eventual destruction by the Friends of Ball’s Bridge.
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The poem below tries to capture the interplay of light and shadow as we crossed Ball’s Bridge and drove the local roads.
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Ball’s Bridge, Maitland River
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on the first day of fall
landscape is criss-crossed
in lattice and wire
spider web and the flight paths
of pigeon-flutter
to the high lines
of the iron bridge
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rays of light
find solar panels
and the backs of turtles
sunning on river logs
the inter-lacing
of dark water and light
the shadows of metal and truss
intercepting wire
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cornfields
and winter wheat
embedded rows
a river and its valley
and a hawk follows
panels of air, first frost
and meltwater collects
on oval lily pads
yellowed leaves
rusted wire
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This is the second metal bridge we have visited in Ontario. A few years ago we photographed the South Nation River Bridge, in Glengarry County, not far from Cornwall. That bridge has been removed, another loss from our built landscape. For the story of our visit to the South Nation River metal bridge click here
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All my best,
Jane Tims
colour: solemn, sombre
October in New Brunswick is an explosion of colour. However, as the red and orange leaves fall, browns and yellows begin to dominate the landscape.
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View of Nerepis marsh looking south. The ferry is crossing the river, barely visible in the mist.
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Colour variety in the marsh grasses.
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Hay-scented fern adds yellows and browns to the ditches.
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solemn, sombre
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walked out to see you
once again as you
lay dying, somber
the soft light, marsh grass
leaning in the rain
autumn colour fades
tones solemn, ochre
of poplar and birch,
straw-pale, hay-scented
fern, Solidago
and tansy, shadows
in the ditch, the heads
of Typha
burst to seed
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Copyright Jane Tims 2019
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Best wishes everyone!
Jane
abandoned spaces: remnant plants
On a drive towards the centre of the province, we found the property below to exemplify what happens to the surrounding vegetation when home sites are abandoned.
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On the property, I could see the old home, the roof fallen in, the tin roof rusted on the half that was not shingled. All around were wildflowers, most noticeable, the fireweed. There were also remnants of cultivated plants:
- lilac
- rose bushes
- hops
- orange day-lilies
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Street View, Google Earth gives a glimpse of the property back in 2009.
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remnants
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Not meant to sprawl but climb, hops
crouch between grass, fireweed.
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Recline, each five-fingered leaf
with spaces between digits.
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Remnants of pink rose bushes
and an apple tree, apples
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green but plentiful. Lilac
lifts spent and skeletal blooms.
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The two-track road still leads to
back pasture, woodlot beyond.
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Orange day-lilies echo
the rusty reds of tin roof,
the house fallen to decay.
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All my best,
Jane
