Archive for November 2011
cave beneath the waterfall
In the cold weather, I think about the waterfalls we saw this summer. As the temperature gets lower, they succumb. First the water freezes at the edges, building up on the rocks and ledges. Then, gradually icicles build and the surface water freezes. By mid-winter, the waterfall will be a frozen cataract, a glass house of ice. Within the frozen falls are ice caverns and icicles, places where water runs and where water stands still, and places where the ice traps sunlight to shimmer and sparkle.
One of the waterfalls we visited this summer was Smith Falls (see ‘niche beneath waterfall’ under the category ‘waterways’, published October 21, 2011). At the base of the waterfall was a small cave. In winter, the entrance to this cave must be a crystalline curtain of icicles and glass.
Below, in my poem and drawing, I remember the cave and waterfall in summer.
~
shelter
‘a small cave is hidden beneath the falls’
– trail guide
~
sip of tea
candles lit in evening
a lap quilt tucked
relief from freshet
~
cave, respite
beneath two newly reconciled
slabs of bedrock
or where vulnerable sediments finally fail
succumb to the reach of water
~
spurt and shard
the brawl subsides
and damp recedes
pollen settles
~
concentric rings
and space is made
to occupy
~
© Jane Tims 2011
jane 9 squirrels 1
Again, I am in competition with the squirrels (see ‘competing with the squirrels #1 and #2’, in the Category ‘competing for niche space’).
Christmas is coming and this year, I am decorating with natural elements. One of these is a ceramic bowl of large pine cones.
We have several large White Pine (Pinus Strobus L.) on our property and from time to time, they produce masses of beautiful pine cones, perfect for my decorations. White Pine are easy to remember in this area, since they have their needles in bundles of five. The cones are between 10 and 15 cm long and are a favourite food for squirrels.
My husband came in last weekend and announced there were lots of the big cones in the pine tree next to our lawn. “Watch for them to fall, and then you should hurry to collect them,” said my savvy husband (he remembers the sad tale of the ripening hazelnuts).
I waited a couple of days and then went scavenging. And now, I am supreme. I have gathered enough cones for our Christmas. I saw a few cones with the lower scales and seeds nibbled away, but I found plenty for me. My hands were sticky, true, but I was so happy. All I can say is, with an emphasis approaching smug, “CH-CH-Ch-chchchchch-ch.”
in November
~
we gather pine cones
snakes of lion’s paw
hawthorn
cedar boughs
and holly
~
we walk the wild ways
pruners and scissors
baskets and stout cord
bind bunches
of branches
~
balsam and cedar
blood berries
and evergreen
garlands of fir
rosehips and acorns, gilded
needles
and prickles
and thorns
~
© Jane Tims 2011
crows in trees
Of all the birds, I like the American crow (Corvus brachyrynchos) the best.
For one thing, they seem to me to be full of personality. I also know that crows are intelligent – research shows they can distinguish humans from one another by facial features. Crows also stay in family groups (parents and fledged offspring) for a few seasons. I feel sorry for crows; they seem to have a bad reputation and are treated poorly as a result.
If you want to learn more about crows and their habits, have a look at Michael Westerfield’s new book “The Language of Crows: The crows.net Book of the American Crow,” available at www.crows.net/crowbook.html .
A group of crows is known as a ‘murder’ of crows. The term ‘murder’ refers to the ‘observation’ that a group of crows will kill a dying cow. Some people are advocating for an alternative, since the term ‘murder’ perpetuates the notion of crows being malicious. Alternative names for a group of crows are presented in http://www.crows.net/mjw.html Michael Westerfield’s Crow Log: The Crows.net Project. I think this is an opportunity for a Poll!
~
~
Morning Song
~
in the morning
dew soaks the grass
and Canada
belongs to the crows
~
the croaking of ravens
the cawing of crows
familiar, unheard
backdrop to Canadian dawn
~
(theme music
in Canadian film)
~
in a conversational rattle
discussing gold and letters
~
a two syllable scream
haunting the fields
~
solitary sorrow
throned at the top
of a tamarack
~
black wings bruise the air
he calls an alarm
screams to his mate
the love of his life
with only the fall of the dew
for an answer
~
silent is the shroud of black feathers
strung by the feet from a pole
beside a garden
where she braved the flapping man
and dared to pull new corn
~
in the morning
Canada belongs to the crows
~
Published as: ‘Morning Song’, Spring 1995, The Cormorant XI (2)
© Jane Tims 1995
Evergreen Woodfern (Dryopteris intermedia Muhl.)
On Sunday, I looked for and found my first November fern! Since we had about 25 cm of snow yesterday, I may have found my only fern of the winter!
The fern I found is an evergreen fern, pressed close to the earth this time of year.
For me, identifying ferns is always a challenge. I use the Peterson Field Guide, ‘A Field Guide to the Ferns and their Related Families’ by Boughton Cobb, 1963. Then I turn to a very helpful website www.ontarioferns.com .
With patience and careful attention to some key features, I can usually figure them out.

checklist issued by the Nova Scotia Museum for a fern project several years ago; a checklist like this is helpful to double-check your identification
The key features for the fern I found are:
- the roughly triangular shape
- the ‘thrice-cut’ nature of the leaves (cut once into leaflets or pinnae, a second time into subleaflets or pinnules, and a third time into lobes)
- the stalk is greenish and scaly, not hairy
- the lowest pair of inside subleaflets (next to the stem) of the lowest leaflet are slightly shorter than the second subleaflets next to the stem (if you look closely at the photo above, this feature is hard to see due to the camera’s perspective – the best example is the fern at the upper right).
This fern is the Evergreen Woodfern (Dryopteris intermedia), closely related to and difficult to distinguish from the Spinulose Woodfern.
American Star-flower (Trientalis borealis Raf.)
Crisp November nights are a perfect time for a quick look up at the stars. I’ll be including some posts about our star-gazing, but for now, my thoughts are still turning back to summer. Stars in the sky? There are also stars in the dark summer woods.
The American Star-flower, Trientalis borealis Raf., is a plant with a delicate white, star-shaped flower, found in late spring in woodlands and on peaty slopes. Its scientific name comes from the Latin word for the third part of a foot, a reference to the height of the plant, and the Latin borealis, meaning northern. It is a common little plant, described by Fernald as a “forest pioneer”.
Some will wonder what the ‘Raf.’ refers to, at the end of the scientific name. This is an attribution to the botanist who first named the plant. In many cases, the attribution is ‘L.’, meaning the plant was first named by Carolus Linnaeus (the biologist who first introduced the ‘binomial’ naming system for plants).
‘Raf.’ stands for Constantine Samuel Rafinesque-Schmaltz who first assigned the genus and species names to the plant – Trientalis borealis. He was an eccentric polymath (knowledgeable in many fields and disciplines) who lived from 1783 to 1840. In his lifetime he published 6,700 binomial names for plants.
Star-flower
Trientalis borealis Raf.
~
Trientalis
borealis
star-flower
lost from the sky
four inches high
(the Latin name
makes claim)
petals white
boreal light
fallen down
first found
by Constantine
now often seen
it’s little lamp
above the damp
a forest pioneer
final frontier
up above
twinkling of
stamen and star
who you are
I wonder
and wander
down a trail blazed
by a frail flower
one candle power
~
Published as: ‘Star Flower’, Winter 1993, The Antigonish Review 92.
revised
© Jane Tims
a bridge for the soul
In eleventh century Sweden, rune stones were often raised by landowners as a memorial of their accomplishments.
Jarlebanke was a landowner and a local magnate who lived in Uppland, Sweden during the second half of the eleventh century. He took pains to ensure he would be remembered, and six stones survive of the many he ordered to be carved.
Four of the surviving stones stand at the ends of the Täby bru. The Täby bru is a ‘bridge’ or causeway marked with two rune stones at each end.
One of these stones (U127) was used in the 17th century as the threshold of the church in Täby; it now stands to the side of the church door. The inscription (in runes) says: Iarlabanki let ræisa stæina Þessa at sik kvikvan, ok bro Þessa gærđi fyr and sina ok æinn atti Tæby allan. This has been translated as: “Jarlebanke let raise these stones after himself, while he was living, and he made this bridge for his soul, and he himself owned the whole Täby.”
The stone depicts two serpent creatures enclosing a Latin cross. Symbols of the old religion and Christianity are often found together on rune stones, evidence of transition in belief systems. Jarlebanke was not taking any chances when he recognized both religions on his rune stones. The facimile (below) of the runes on the stone is from:
http://www.ludd.luth.se/~frazze/history/mirror/viking_age/runes/nytt/images/u127.gif
a bridge for the soul
Danderyds church, Täby, Uppland
~
ok bro Þessa gærđi fyr and sina…
and he made this bridge for his soul…
– inscription on a Täby bridge runestone
~
Jarlabanke made this bridge
for his soul
a causeway crossing marshy ground
~
uncertain
for though he owned all Täby
he was afraid
~
he raised these four while living
a rare deed
the stones, of course, never care
~
first at the ends of the Täby bru
then at the threshold
of the south church door
~
the Cross tethered to old faith
dragon-kind
best wager for passage into heaven
~
© Jane Tims 2003