Posts Tagged ‘art’
Coming in April: A Book Fair for the Moncton Area
April will be a welcome month for book lovers!
Come to the First Annual Greater Moncton/Riverview/Dieppe Independent Book Fair.
30 tables, 38 authors! Lots and lots of books!
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I will be there with all my books:
Kaye Eliot Mysteries,
Meniscus Science Fiction,
award-winning poetry
and, for the first time,
a children’s book!
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Wink in the Rain is about an elf who lives at the edge of a garden.
Wink loves the garden but he does not like the rain.
Visit with Wink and his friends as he finds a way to keep his wings dry.
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I often include black and white drawings in my books
but the drawings for Wink in the Rain needed lots of colour.
I used GIMP (GNU Image Manipulation Program) to draw Wink, the plants in the garden,
the raindrops and Wink’s friend, the red-backed salamander.
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I will be showing Wink in the Rain for the first time at the Greater Moncton Independent Book Fair.
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Write the date in your calendar now: April 22nd. 10am – 4pm. Riverview Lions Community Center.
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If you are an author who’d like to participate in the Book Fair, please contact Allan Hudson at gmrdbookfair@gmail.com for details and registration.

Stay tuned for more about the Book Fair
and
Wink in the Rain!
All my best,
Jane
Meniscus: Return to Sintha … meet the characters
I have completed the final edits of my new book Meniscus: Return to Sintha and my beta reader’s comments are in. The book is heading towards its publication in early March, under my pen name Alexandra Tims.
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For this post, I will introduce you to some of the characters in the book. If you are a reader of the series, you will already know many of these characters, but some are new.
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In the book, Abra and Drag-on set out on a journey to deliver critical information about the Dock-winders to every population centre in the Prell-nan District of planet Meniscus. Abra’s friends, Tagret and Rist, set out in the opposite direction to help with the distribution of the information. The information will, they hope, end the Dock-winder hegemony, the enslavement of Humans and the indenture of Gel-Heads. That word ‘hegemony’ is known to me because my son is a political science major, but it may not be familiar to everyone:
hegemony: leadership or dominance, especially by one country or social group over others.
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The main characters in the book are:
Abra: historian, who studies the languages of aliens on Meniscus; married to the Slain, Trath, she lives in the abandoned Museum in Prell-nan;
Trath: a Slain, a dealer in the illegal drug bellwort and an addict; Abra’s husband;
Drag-on: an alien native to the planet; looks like a forkful of spaghetti without the fork; telepathic and friendly to Humans;
Tagret: chemist, brought to slavery on Meniscus and freed by the Slain, Rist, who is now her companion;
Rist: a Slain, a courier, once married to a Gel-head named Semala; now companion to Tagret;
Semala: a Gel-head and Rist’s wife; died in an accident on the road to Sintha but she still haunts Rist and Tagret.




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In each city, our heroes must find the small group of Humans who work for the Resistance.
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The Resistance includes:
Aella: known as The Whirlwind, the one-woman resistance in Enbricktow;
Di-gett’ath Roth’: The Blood-Let, resistance movement in Prell;
Ora-nen Uth: Curfew Dark, resistance movement in Sintha, a spirited group who meet in the darkest of alleyways;
Ora-toll: Light Tunnel, resistance movement in Nebul-nan;
Marneth Hath-arn; the Shadow Builders, resistance movement in Bleth-nan, includes the triplets, Twilla, Titha and Trill who talk in their own secret language;
In De’men, the only resistance is a group of three street-sweepers;
In Tre’men, the only resistance is a wizened Gel-head named Weddle.
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Now that you know some of the characters in Meniscus: Return to Sintha, I hope you will read the book, to find out what happens and if the information changes the hegemony on planet Meniscus.
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On the release date, I’ll let you know where the book will be available. If you want to catch up on the series, you could begin at the first book in the Return to Sintha Trilogy — Meniscus: Rosetta Stone, available at Westminster Books in Fredericton, Dog Eared Books in Oromocto or on Amazon.ca.
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All my best,
Alexandra (a.k.a. Jane)
another book, another cover
True to my mantra of having multiple projects on the go at one time, I have been quietly working on a new book, of the genealogical variety. The book, titled Ella: 1859-1933, is an historical account of my great-grandmother’s life, revealed through family stories, Census and City Directory records, military and other official government records, and study of other genealogical sources (I have blogged before about my great-grandmother https://janetims.com/?s=Ella+Norman+). Much of the information is the result of study by Dr. Jane Margaret Norman, my aunt, who began looking for evidence of Ella’s life in the 1970s and found out most of the known information on Ella’s life. The book will be of interest to Ella’s descendants and others in the Hawk and Kresge lineage.
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A Brief Synopsis of the Book:
Ella Hawk (her maternal grandfather was a Kresge) was born in 1859 to a Pennsylvania German family. When she became an adult, she followed the path of many who felt the lure of the West. By 1880, she lived in Laramie, Wyoming where, in 1886, she met and married Frank Norman. She had one son, Leo, and lived in the West for another 24 years. In 1911, she returned to Pennsylvania to live with her mother and sister. Her son served in the navy and eventually met and married Katie Clark, a trained nurse. In 1927, Katie returned to Canada to raise her young family. Katie and Leo were my grandmother and grandfather.
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The book includes a detailed presentation of these events, as well as the genealogical references. I will also include three poems as a memorial to Ella’s family and the account of a trip we took to Wyoming to see where Ella and Frank were married.
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Book Cover:
I include two references to flowers in the book, to red poppies, and pink and blue columbines. So I decided early to include these flowers on the cover of the book. I also wanted to show Ella on the cover but as a silhouette, walking in the garden. I know, from my Uncle Francis’ memories, she wore wide-brimmed hats, so the figure will be wearing such a hat.
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At first, I painted apple trees in the background, but the symbolism of the trees escaped me. So I removed the trees and added a scene from the Laramie area, featuring the nearby mountains (the Snowy Range), and a suggestion of foothills and plain. Now the silhouette of ‘Ella’ looks from her garden in the East towards the West. My uncle (her grandson) told me she never forgot the West and wished to return some day.
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I completed the basic elements of the cover painting in one sitting. But a lot was left to be done: layers of colour to be added and detail in the mountains and flowers. My main objective was to add colour in such a way to make the poppies appear far away and the columbines close by.
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Colour will do this. In general, cool colours (like red) look far away and warm colours (like blue) appear nearby. This generality is modified by the tone (darkness or lightness) of the colour: dark colours appear to get closer while pale colours appear to recede. Saturation of colour will also affect its appearance of advancing or receding: a pure colour will appear nearer; adding a bit of another colour will cause it to recede.
for more information on colour in art, see How Colors Advance and Recede in Art Science of Colour.
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I will revisit the cover design in about a week, and perhaps tweak the border colour and other aspects. let me know what you think.
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All my best!!!!
Jane
Meniscus Science Fiction Series: the extras
As I write the Meniscus Science Fiction Series, a very enjoyable task is to update the extras in each book:
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Ancient Argenop Wisdom: every book includes an associated line of ancient Argenop wisdom. The Argenops are the gentle rodent-like aliens who befriend the Humans. They became separated from the Dock-winders, in history and sentiment, when geology (The Fault) divided En’ast from Themble. I plan to do a full book collecting the wisdom of the ancient Argenops.

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The Meniscus Solar System: This is a fairly recent edition to the books. A representation of the solar system of Meniscus includes: the two suns (Tathlet and Amblyn), the planets (Aagle, Meniscus, Di-natha and Sel), and the Meniscus moons (Cardoth roe and Cardoth grill-en).
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This is Meniscus, a planet far from Earth: this is an introductory bit, meant to introduce readers of every book to some background information about the planet Meniscus. The text includes the odd behavior of water on the planet, a description of the landscape, the various aliens encountered, and a short history of the Slain. Oddly, this is the section I have occasionally forgotten to include in every book.
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The Maps: Producing the maps of the planet Meniscus is essential to the writing since the stories are chronicles of the Human travels through the landscape. I produce the maps in GIMP, so I am able to highlight certain features of interest to a particular book. I also include a dotted line showing the path of the travels of the main characters. At first, only the east and west maps for Prell-nan South District were shown. As the adventure expanded, maps for east and west halves of Prell-nan North District were included. In the upcoming adventure Meniscus: The Reckoning, readers will see El’ban District, often mentioned in the earlier books.
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North District
(West Half)
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The Cast of Characters: I include all of the characters in the Series, whether they occur in the current book or not. The notes on the characters are meant to explore a brief history of each character: Human, Slain, Argenop, Dock-winder, Gel-head, and Others, including the pets. This section was added to books after …. at the suggestion of one of my terrific beta-readers.
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Glossary: Various unfamiliar words used by Humans in the story are explained here. They include measurements, names of plant and animal life, and items found on the planet of Meniscus. Some of these are names borrowed from the local aliens, and others are names the Humans have devised for various items, based on their experience on Earth or with other Humans.
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nodding woodland flower
corms edible
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A Condensed Guide to Gel-speak: The dictionary, at first short, has grown with each book – there are now 180 words in the Gel-speak dictionary. Although most Gel-speak is translated right in the text, readers may like to find out how an idea is expressed in Gel-speak as the translation is not literal. So ‘genetic material’ is translated as ath-elan-elana, literally ‘body memory.’
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The next book in the Series, Meniscus: The Struggle will be released in the next couple of weeks. I am looking forward to having a release and book signing in August, details to be announced here.
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If you haven’t read any of the Meniscus books, there are a couple of places to jump in to the action:
Meniscus: Oral Traditions
Meniscus: Rosetta Stone
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All my best,
keep reading!
Alexandra, a.k.a. Jane
Book Covers: from sketch to design
In producing my science fiction books, one of the many tasks is to produce a book cover for each book. I could hire this step out, but I made a decision early in my author experience to feature both my art and writing in producing my books.
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There are ten (soon to be eleven) books in the Meniscus Science Fiction Series. Once I decided on the design for the first book (Meniscus: Crossing The Churn), I knew I wanted all the books in the series to follow a similar cover pattern. I liked the format of a single block showing the cover art and the general placement of title, volume number and author’s name. I also wanted all the cover art to show the two Meniscus moons (Cardoth-roe, the big moon, and Cardoth-grill’en, the little moon) and the characters in the book in silhouette.
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Creating a book cover takes four main steps.
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Step One is to consider how I want to present the book and what themes could be displayed.
Step Two is to do a black and white drawing of the cover.
Step Three is to do an acrylic painting of the drawing.
Step Four is to create a cover for the book, to be up-loaded to Kindle Direct Publishing (KDP) for both paperback and e-book editions.
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The only cover to depart from the pattern (no drawing was produced that led to the cover), was Book Seven, Meniscus: Encounter with the Emenpod. Here are the drawings and final covers for all the books after the first:




















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There is one other book, Meniscus: One Point Five – Forty Missing Days, that should be shown. Its cover came from a painting done to welcome people to my sales table at various book fairs.


All my best,
Jane ( a.k.a. Alexandra)
Next Meniscus: The Struggle
In the Meniscus Science Fiction Series, I am now working on Meniscus: The Struggle, the sequel to Meniscus: Rosetta Stone.
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Meniscus: Rosetta Stone introduced us to Abra, a translator who has discovered a manuscript containing the mysterious Dock-winder language. As Abra works on the manuscript, she begins to think the words will hold the secret to the downfall of the cruel Dock-winders.
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In the sequel, Meniscus: The Struggle, Abra will enlist the help of Tagret, a chemist, to decipher the symbols in the manuscript. She will also try to get the help of Don’est, the Dock-winder child adopted by the Humans of Themble Hill. But will peculiar Don’est be a help or a hindrance?
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Meniscus: The Struggle will be available in June, 2022. Next post, I’ll show you some of my work on the cover of the book.
All my best,
Jane
my new journal
Every January, every year of my adult life, I have started a journal, or as we used to say, a diary. Sometimes the idea of keeping a journal lasts the month, more often not. I have lots of information on the Januaries of my life, but little on the other months.
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In the 1990s, I began keeping what I dubbed ‘my rough journal’ and I have stacks of these. The idea of ‘rough’ took away any limitations imposed by keeping track of the date or specific experiences. My rough journals are filled with early drafts of poems, notes from writing workshops I have attended and doodles. Many doodles, since after five minutes have passed, I usually start drawing people or border designs.
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This January, I encountered the idea of the ‘bullet journal.’ The bullet journal takes a sort of multi-media approach to journaling. It uses some writing, but also drawings, mementos, stickers, ribbons, scraps and so on to create meaningful memory pages. Sometimes the pages are less about memory and more about planning.
A bullet journal is a method of personal information developed by designer Ryder Carroll, shared with the public in 2013. The system organizes scheduling, reminders, to-do lists, brainstorming and other organizational tasks into a single notebook. The name “bullet journal” comes from the use of abbreviated bullet points to log information.
paraphrased from Wikipedia
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One of the things I have liked about the bullet journal is its diversity. I love using stickers, stamps, various papers and tapes. Last year, I discovered ‘washi tape,’ Japanese masking tape, made of rice paper and printed with various designs.
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I have also collected a lot of stickers over the years and today, I printed out my first page of homemade ‘stickers,’ created from some of my many drawings, sized and grouped in PowerPoint, and printed using AVERY 81/2″ X 11″ shipping labels.
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Today, we are almost at the end of April, and I have kept my bullet journal, a bit sporadically, since January 1. I create a page at least once a week and spend about a half hour at any journal session. I find it relaxing, creative and compelling.
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When I create anything, from a painting to a bullet journal page, I am usually aware of a ‘watching other.’ Some people refer to this as ‘the monkey on my back.’ I find this ‘other’ distracting and a barrier to ‘creative freedom.’ So, when I work in my bullet journal, I try not to satisfy the watching ‘other.’ Instead, I create my journal pages just for me and don’t think to myself: ‘someday they will find this and think how messy and unartistic I am.’ As a result, my bullet journal pages are not always beautiful. They probably wouldn’t get an ‘A’ in school. But they are for me, and I love them.
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All my best,
Jane
working on a poetry manuscript
This week, I am assembling a new poetry book in the ‘a glimpse of…’ series. The first two books, a glimpse of water fall and a glimpse of dragon gave readers a peek at some of the beautiful waterfalls in New Brunswick and the bits of magic in all our lives. A glimpse of sickle moon will explore the seasons in New Brunswick. The manuscript won Third Place in the 2020 New Brunswick Writers’ Federation Competition for the Alfred G. Bailey Prize.
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The poetry book presents fifteen years of seasons, each presented as four poems about spring, summer, winter and fall. The poems about spring talk about floodwaters, under-story flowers and waking from hibernation. Summer poems tell about hurricanes, picking raspberries and sheep in the morning meadows. Fall poems explore first frost, wasp nests, fading flowers and ripening blackberries. And in winter–ice caves, snow drifts, walks in the falling snow and feeding birds.
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I have struggled with how to present these poems. I thought of making each suite of four represent a year in my own life and entitling the section 1978, 1980, 1996, 2012 and so on. I thought about titling each section as a special year–‘The Year of the Path,’ ‘The Year of the Groundhog,’ and so on. I have finally settled on a title drawn from a common theme in the four poems presented–‘paths through tangled woods,’ ‘where shadows meet,’ and ‘a sliver from full.’
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For the cover, I will create a painting of the crescent moon, seen through the branches of birch trees. The image below is a facsimile.
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All my best as you work on your own project.
Jane