nichepoetryandprose

poetry and prose about place

Posts Tagged ‘poetry

abandoned gardens: flowers, out of place

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A flower common in flower gardens is the yellow loosestrife (Lysimachia punctata). It is prized for its perennial nature and its whorls of bright yellow flowers. A closely related species, garden loosestrife (Lysimachia vulgaris), differs a little in the arrangement of its flowers and in other characteristics.

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These flowers occasionally persist at abandoned home sites, or spread by the roots. As escapes, they look out of place, a bright spot in the green landscape.

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We went for a drive in the countryside west of Woodstock in Carleton County last Friday and found two escaped patches of yellow loosestrife, one on the edge of a field along Green Road and one in the ditches in Watson Settlement.

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16 green road lysimachi distance shot

a patch of yellow loosestrife in a field on the Green Road

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large yellow loosestrife

Lysimachia punctata

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slash of yellow

blooms in the crease

between sumac and hayfield

campion, Timothy, bedstraw and vetch

ladders of golden flowers escaped

from a garden now gone

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10 green road lysimachia close-up

closeup of the patch of yellow loosestrife

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At Watson Settlement, while I was photographing the flowers, a truck stopped to make certain we were OK. In the back of my mind, I was thinking about COVID-19 and social distancing, so although I chatted a bit, I didn’t ask the woman any questions. I could have talked to her about the history of the community and asked her about other garden escapes.

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29 watson settlement road lysimachia

a patch of yellow loosestrife in a ditch in Watson Settlement

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yellow loosestrife escape

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In the ditch,

in the angle of two roads,

armloads of yellow loosestrife.

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“Are you broken down?” she says.

“Hardly picked a cup

of wild strawberries this year.

But the Devil’s paint brush

is blooming again.”

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I am afraid to ask,

in these days of social distancing,

about the yellow loosestrife,

about the community,

about garden escapes.

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She smiles and drives on.

Unasked questions

unanswered.

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28 watson settlement road lysimachia

yellow loosestrife in the ditch at Watson Settlement

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 This work is supported by a Creation Grant from artsnb (the New Brunswick Arts Board)!

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All my best,

please stay safe,

Jane

Written by jane tims

July 8, 2020 at 7:00 am

abandoned gardens: a pantoum about lilacs

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Over the years, faced by change, some communities continue to thrive. Others, once vigorous, may decline and disappear. Sometimes, communities may hang on but individual homes may be abandoned. Abandonment can occur if the owner moves away or dies, or if aspects of the home become unsustainable (for example, a water source dries up).

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DSCN0171 (1)

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When a home is abandoned, what becomes of the vegetable garden, so carefully tended, or the flower gardens, each plant chosen with love and care?

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Annuals are usually the first to go, although biennials may continue to grow for a year and some plants, like sweet William or pansies, may reseed. Perennials may thrive, sometimes for years. Rhubarb, chives and berry crops often continue to grow in a vegetable garden. In the flower garden, peonies, day-lilies and phlox may bloom year after year. Trees and shrubs often persist.

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63 rhubard Dugan Road

rhubarb persisting in an old garden

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In my poetry project about abandoned gardens, I want to learn more about various poetry forms. The poem below is written as a pantoum. A pantoum consists of four line stanzas. The second and forth lines of the preceding stanza are used as the first and third lines of the next. The first line of the poem may also be used as the last.

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The poem below is written about an abandoned house in central New Brunswick. Keep in mind, these properties are still owed by someone and the owners may care a great deal about them and perhaps use the property if not the house.

DSCN0165 cropped

lilac bush next to an old house

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lilacs persist

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delicate scribble of winter wren

lilac, a cushion of shadow and green

props the abandoned house

roof rusted, clapboards and shingles grey

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lilac, a cushion of shadow and green

at night leaves peer in windows

roof rusted, clapboards and shingles grey

features sculpted by overlapping leaves

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at night they peer in windows

stare, front windows to back yard

features sculpted by overlapping leaves

scented panicles of purple bloom

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stare, front windows to back yard

noses tuned to lilac sweet

scented panicles of purple bloom

lilacs persist and thrive

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noses tuned to lilac sweet

roof rusted, clapboards and shingles grey

lilacs persist and thrive

delicate scribble of winter wren

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lilacs~

This work is supported by a Creation Grant from artsnb (the New Brunswick Arts Board)!

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Perhaps we can learn from the lilac …

persist and thrive.

All my best,

Jane

Written by jane tims

July 6, 2020 at 7:00 am

garden escapes: starting a projectile

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This summer, one of my main occupations will be to work on a collection of poems about garden escapes.  Specifically, this means abandoned gardens, plants left behind when homes or communities are abandoned. This work is being supported by a Creations Grant from artsnb.

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I have a short mantra to refer to these abandoned plants: “die, thrive or escape.” In a way, the project theme can be used as a metaphor for any abandonment. For example, when someone abandons a relationship, the one left behind can languish, or pick up and start over, or just leave, find a place to start over. I will be watching for these metaphors throughout my project.

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For today, I have to arrange my materials and get started with a plan for my project.

  • To start I have my grant application (outlines what I intend to do), a bit of reconnaissance work I did in 2018 to develop some ideas for the project, six blog posts from that time and eight older poems that fit the theme.
DSCN0579

orange day-lilies, found in many of new Brunswick’s ditches, are escapes from older gardens

  • To identify abandoned communities, I can refer to information sources and databases developed by others:  the Facebook pages Abandoned New Brunswick  and New Brunswick Upon Days Faded where interested people post photos and short anecdotes about abandoned houses and buildings; the Provincial Archives of New Brunswick website called Place Names of New Brunswick: Where is Home? New Brunswick Communities Past and Present https://archives.gnb.ca/Exhibits/Communities/Home.aspx?culture=en-CA; additional information on communities will be available in Census Records at https://www.ancestry.ca/; various maps including the New Brunswick Atlas (Second Edition); Google Earth and the associated Street View; maps posted in the Facebook page New Brunswick Upon Days Faded; the Walling Map of 1862 which I have used in other projects, F. Walling, Topographical Map of the Counties of St. John and Kings New Brunswick: From Actual Surveys under the direction of H. F. Walling (Publishers W.E. and A.A. Baker, New York, 1862); and, the Monograph about place-names in New Brunswick, Ganong, William F. A Monograph of the Place-Nomenclature of the Province of New Brunswick. Transactions of the Royal Society of Canada: Second Series 1896-97, Volume II, Section II. 1896.
sample Walling map

a sample of the Walling Map for an area in Kings County, New Brunswick. The map shows individual buildings and houses from 1862.

  • For anecdotal stories about the gardeners and their gardens, I plan to use the resources of the Provincial Archives of New Brunswick since often diaries and other documents contain amazing bits of information about New Brunswick history. Obtaining anecdotal information about abandoned gardens is tricky during the time of COVID-19 since social distancing means ordinary interviewing is not easy.  I will use the websites above to obtain some information and, where possible, talk to people I encounter. I will create a Facebook Page called Abandoned New Brunswick Gardens to obtain some of these stories.
  • For plant identification, I have my own skills as a botanist and my trusty guides: Harold R. Hinds, Flora of New Brunswick, Second Edition: A Manual for Identification of the Vascular Plants of New Brunswick, University of New Brunswick, 2000; A. E. Roland and E. C. Smith, The Flora of Nova Scotia, Nova Scotia Museum, 1969; Roger Tory Peterson and Margaret McKenny, A Field Guide to Flowers of Northeastern and North-central North America, 1968; and the website The Plant List: A Working List of all Plant Species (this is to verify plants names since I use older plant guides). http://www.theplantlist.org/

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My methodology is simple:

  1. identify possible abandoned homes and communities and create an efficient plan to visit these places
  2. drive to these locations and look for plant species that may be garden remnants
  3. photograph the sites and plants
  4. make notes about the sites, the plants encountered and various sensations encountered (sight, smell, taste, touch and sound)
  5. do pencil drawings of some plants and locations
  6. obtain any anecdotal or archived information about the former communities, their gardens and their gardeners
  7. write the poems using all the information collected

I am going to write mostly free verse but I will also use some poetic forms, for example the ghazal and the pantoum.

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Sounds like fun!

DSCN0350

Viper’s bugloss (Echium vulgare) is an introduced plant in New Brunswick.  These are plants found on the New Ireland Road in Albert County, New Brunswick. In 1866, there were 68 families in the community (Source: NB Archives); today all the houses are gone.

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I will keep you up to date on my adventures and show you some of the plants I find. If you know of any abandoned gardens in New Brunswick, or abandoned communities, please let me know! I will acknowledge you in my book!

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This work is supported by a Creation Grant from artsnb (the New Brunswick Arts Board)!

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All my best,

stay safe,

Jane

garden escapes: abandoned gardens and what becomes of them

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I am so happy! I have just won a Creations Grant from artsnb (the New Brunswick Arts Board). The project is to write a book-length poetry manuscript on the subject of garden escapes from abandoned New Brunswick houses and communities.

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The landscape of New Brunswick is changing. As demographics shift towards populated areas, communities are abandoned. When gardens are left behind, some species die out, some thrive and some migrate, finding favorable conditions in adjacent properties.

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foxglove Williamsburg

For example, in Fredericksburg, an abandoned community near Stanley, foxglove crowds the ditches; and near Carroll’s Ridge south of Canterbury, no homes remain, but forget-me-nots turn the woods blue. Although local people are aware of these escapes, the stories of the gardens and gardeners are mostly lost.

forgetmenots and lupins

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The subject of abandoned flower garden escapes is the matter of poetry. The names of abandoned communities and of plants, common and scientific, provide a lexicon of poetic words. Abandoned and escaped gardens involve all of the senses: sight (pink of the foxglove flowers), sound (calls of birds who find new habitat), smell (scent of flowers), taste (sour stem of an abandoned rhubarb plant) and touch (the thorniness of escaped raspberry).

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I am looking forward to taking you on my adventures this summer as I search out abandoned houses and communities, look for remnants of the gardens left behind and capture these remnants in poems and images.

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So, I won’t be staying home as much,

but I am still going to be staying safe!

All my best!

Jane

 

 

 

Written by jane tims

July 1, 2020 at 7:00 am

creating my niche

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create: 1: to bring into existence;

2a: to invest with a new form, office or rank;

2b: to produce or bring about by a course of action or behavior;

3: cause or occasion;

4a: to produce through imaginative skill;

4b: design. 

– Webster’s Dictionary

I am very interested in creative endeavors and I like being creative.  I am happiest when I am writing, painting, drawing, sewing, weaving, knitting, and so on.

Although I best like to write, I find creative activities substitute for one another. For example, when I am not writing for an extended period of time, I am often embedded in some other activity, such as painting.

Weaving exemplifies the lure of my various creative undertakings.  The producing requires knowledge and skill, and builds confidence.  The process is enjoyable and time is made available for thought and concentration.  The threads and fabrics are luxurious to the touch and the colors are bright and joyful. When I am finished a project, I am so proud of the resulting textile, I want to show the world.

My loom is a simple floor loom, 24 inch wide.  I bought it at a country auction, about 20 years ago.  My sister and I were among the stragglers at the auction, trying to outlast a heavy rain.  In the corner we saw a bundle of varnished wood and some metal parts.  “I think that’s a loom”, whispered my savvy sister.  When the item came up for auction, there were few bidders remaining, and no one know just what ‘it’ was.  At $25, it was a huge bargain.

My loom and I have not been steady company.  It takes forever to install the warp threads, and sometimes weaving is hard on my back.  But the fabrics we make together, my loom and I, are beautiful and comfortable and good for the soul.

What creative endeavors shape your niche space?  What materials do you use and what do you love about them?

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yellow line

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the road is fabric

weave of asphalt

ditch and yellow line

warp of guard rail

fence and heddle

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trees in plantations

lines on the hayfield

shadows on road

hip and curve of the earth

weft as she turns in her sleep

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shuttle piloted

through landscape

and watershed

textile in folds

texture the yearn of the loom

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faults in the granite

potholes in pavement

rifts in the fabric

where weavers might falter

revisit work of earlier times

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learning the lesson

taught by the loom

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choose your weft wisely

balance color and texture

maintain your tension

fix mistakes as you go

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rest when your back hurts

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listen

to the whisper

of weave

of yellow line

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All my best,

staying at home, staying safe,

Jane Tims

 

the yellow line

Written by jane tims

June 29, 2020 at 7:00 am

Rebecca

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'blackberry afternoon'

 

Rebecca

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in black

Gothic

advances

down the middle

of the street

oblivious to traffic

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dark mists

and Avalon

the perfect rupture of sky

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from her fingers

black threads

spin skirt

and widow’s weeds

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black painted nails

blackened sockets of eye

her lips black also

from a feast of berries

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All my best.

Jane

 

Written by jane tims

June 26, 2020 at 7:00 am

Strawberry Kool-Aid Hair with Ribbons

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'nearn' (3)

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Strawberry Kool-Aid Hair

with Ribbons

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strawberry Kool-Aid hair

with ribbons

she pushes the button

to cross Dundonald

serious with her boyfriend

her backpack heavy

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she is like

the student on roller blades

skilled with traffic

not slowing near the top of Regent

reckless to the river

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or the man

a block from here

a man with a briefcase

leaning across the fence

making a bouquet

of pussy-willows

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All my best.

Stay safe.

Jane

 

Written by jane tims

June 19, 2020 at 7:00 am

heroine

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rose heroine

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heroine

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her hair

is a stroke of pink

on the brown audience

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more compelling

than the script

or the decorated stage

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not surprising to see

her name on the program

Rose

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in black but for the hair

even her lips

implore the audience

to pardon the difference

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she, the heroic one

not Romeo

or Juliet

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not the dead

but the left-behind

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All my best.

Staying safe,

Jane

Written by jane tims

June 12, 2020 at 7:00 am

next book in the Meniscus Series: the Gel-head dictionary

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From the beginning, I have included an alien language dictionary at the end of my science fiction books. Gel-speak is the common language on the planet Meniscus. Many of my Human characters speak a little Gel-speak; the genetically-altered Humans, the Slain, speak it fluently. In each book, there are lines of Gel-speak, usually translated, occasionally not.

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The Gel-speak language originates with the Gel-heads, the most maligned of the aliens on Meniscus. The intelligent Dock-winders also have a language but it is not spoken in the presence of other species.

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By the eighth book, I have added to the dictionary until there are 170 words.

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The Gel-speak language has a grammar, or set of rules governing the words and their order. There are verbs and nouns, articles and adjectives. The Gel-speak language includes many of the same sounds as English and includes a ‘click’ at the end of certain words. Any linguists among you are now laughing.

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So, with the dictionary, you can count in Gel-speak to five:

u-hath – one

ull – two

undel – three

urth – four

v-hath – five

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Gel-speak words have ‘roots’ and build on one-another. For example, here are words associated with the female gender:

ora – light

ora-nee – home

ora-nell – female

ora-nell-elan – mother

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or, with the idea of sharing a hearth:

parelan – family

parennel – friend

pargath – hearth

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OK linguists, you can stop laughing now. This is fiction, after all.

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Want a look at the entire dictionary? Have a look at the books in the Meniscus Series, beginning here.

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`chased by a Gel-head`part two

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All my best,

staying home (ora-nee),

and staying in my two-family (ull-paralan) bubble,

Jane

Written by jane tims

May 13, 2020 at 7:00 am

next book in the Meniscus Series: the illustrations

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For the last two days, I have been in a drawing mood. Not many authors illustrate their books (not including those who work on graphic novels), but I love this part of the process.

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I have had lots of discussions with readers about the right and wrong of illustrating. Some think it takes away from the reader’s wonderful ability to imagine characters and scenes. Others think the illustrations take a reader deeper into the author’s intentions. As an author, I think drawings help get my ideas across. Since my books are told as narrative poetry, my words tend to be vary spare and I think of the drawings as extensions of the narrative.

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I include two types of drawings in my books: portraits of the characters and sketches of the action.

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The portraits are useful to me as a writer. They help fix the character’s face so the image does not migrate from book to book. I am really proud of the portraits and looking at them inspires my writing.

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I am also proud of some of my drawings of scenes from my books. When the drawing is close to the idea I want to portray, sometimes it suggests new details in the text. Some drawings are not so good but I rarely re-draw. Instead, I think of these as representative of the weirdness of planet Meniscus. It reminds me of a line from my favorite TV show Lost. Daniel Faraday, on his first visit to the island says,

The light… it’s strange out here, isn’t it? It’s kind of like, it doesn’t, it doesn’t scatter quite right.”

On Meniscus, the pencil doesn’t behave quite right.

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In every book, there are 23 +/- 4 drawings. Some are portraits or repeats of earlier scenes. Today, I did two drawings, both unique to Meniscus: The Knife.

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All my best,

staying home

and staying in my two-family bubble,

Jane

Written by jane tims

May 11, 2020 at 7:00 am

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