Archive for the ‘strategies for winter’ Category
Coming Soon: New Title in the Kaye Eliot Mystery Series
Every afternoon, I spend some time working on reviewing/revising the proof of my new mystery in the Kaye Eliot Series. I have a cozy spot to work, in my big reading chair in front of the fireplace. Not hard to take a fanciful flight to Nova Scotia where the mystery unfolds.
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The new book focuses on stones of various types and the part they play in our history: gemstones, millstones, standing stones, building stones. It may take a while for readers to understand the title of the book: Land Between the Furrows.
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In each book, I include three illustrations. Here is one of the three: an old grist mill and its grind stones figure in the mystery. This drawing will be the basis for the painting featured on the book’s cover.
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In this book, Kaye finds a stack of very old postcards that tell the story of a missing stone. Kaye welcomes the chance to solve a puzzle with her kids but some of the visitors to the community make their sleuthing a little dangerous. Then the family discovers the ruin of an old stone house on an unexplored part of their property and finding the missing stone may be only part of their venture into history.
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Land Between the Furrows is planned for release on March 15, 2021. A perfect cozy mystery to enjoy during these long winter afternoons.
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All my best!
Jane
creating my niche
create: 1: to bring into existence;
2a: to invest with a new form, office or rank;
2b: to produce or bring about by a course of action or behavior;
3: cause or occasion;
4a: to produce through imaginative skill;
4b: design.
– Webster’s Dictionary
I am very interested in creative endeavors and I like being creative. I am happiest when I am writing, painting, drawing, sewing, weaving, knitting, and so on.
Although I best like to write, I find creative activities substitute for one another. For example, when I am not writing for an extended period of time, I am often embedded in some other activity, such as painting.

Weaving exemplifies the lure of my various creative undertakings. The producing requires knowledge and skill, and builds confidence. The process is enjoyable and time is made available for thought and concentration. The threads and fabrics are luxurious to the touch and the colors are bright and joyful. When I am finished a project, I am so proud of the resulting textile, I want to show the world.
My loom is a simple floor loom, 24 inch wide. I bought it at a country auction, about 20 years ago. My sister and I were among the stragglers at the auction, trying to outlast a heavy rain. In the corner we saw a bundle of varnished wood and some metal parts. “I think that’s a loom”, whispered my savvy sister. When the item came up for auction, there were few bidders remaining, and no one know just what ‘it’ was. At $25, it was a huge bargain.

My loom and I have not been steady company. It takes forever to install the warp threads, and sometimes weaving is hard on my back. But the fabrics we make together, my loom and I, are beautiful and comfortable and good for the soul.
What creative endeavors shape your niche space? What materials do you use and what do you love about them?
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yellow line
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the road is fabric
weave of asphalt
ditch and yellow line
warp of guard rail
fence and heddle
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trees in plantations
lines on the hayfield
shadows on road
hip and curve of the earth
weft as she turns in her sleep
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shuttle piloted
through landscape
and watershed
textile in folds
texture the yearn of the loom
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faults in the granite
potholes in pavement
rifts in the fabric
where weavers might falter
revisit work of earlier times
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learning the lesson
taught by the loom
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choose your weft wisely
balance color and texture
maintain your tension
fix mistakes as you go
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rest when your back hurts
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listen
to the whisper
of weave
of yellow line
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All my best,
staying at home, staying safe,
Jane Tims

the yellow line
a quilting story: lemons and lemonade
I am going to share the long, twisty story of my poppy quilt.
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First, I am not a great quilter, but I have made many quilts. To illustrate, a friend once asked if I was ‘basting’ the quilt together first. I was not; I just quilt with long, uneven stitches.
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The story begins last Christmas when I ordered, on-line, a draft-stopper made from a row of stuffed sheep. It was adorable, well-constructed and perfect.
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So this Christmas I decided a cute lap-quilt with a sheep motif would be nice for the easy chair near the draft-stopper. So I looked on-line and ordered this cute little quilt.
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Something went wrong with the order (I think I ordered from a knock-off site) and when the quilt arrived I was beyond disappointed. Someone had taken a photo of the above quilt or one like it, had it printed on rayon fabric and sewed the ‘quilt’ together with a machine stitch.
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Meanwhile, I was planning to make a small quilt for our bedroom which is decorated with a poppy motif. I had some of the fabric, left over from other projects. I looked on- line and found the perfect fabric, in ready-to-quilt 5″ by 5″ squares. 42 squares, just enough for my quilt. Disappointment number 2. The fabric, when it arrived was beautiful. But, only 8 of the 42 squares were in the poppy motif! Grrrrr.
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So I said, dang the price and sent for another 42 (that is 8) squares. Now I still had to purchase a padding for the quilt. Hmmm. I have that ugly sheep quilt.
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So I used the sheep quilt for the backing, sewing individual poppy squares over the sheep in rows. Very pretty although the colours are probably the result of my flower-child years.
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Once I had the top completed, I sent for some fabric to do the underside. The first order was cancelled because the fabric did not print correctly, but, frustration aside, the final fabric is soft and beautiful. You can see my ‘basting’ stitches if you look closely!
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Now I will do a wide band for the edges, this time in a bright California poppy fabric. My quilt will be colourful and warm, and, somewhere within the layers of fabric, sleep 25 ugly sheep!
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All my best and may your quilting projects be without frustration!
Jane
root cellar

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root cellar
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over the hill
cold earth sequesters
seeps of water
and lichened stone
roots in dry sand
preserves on shelves
of rough-hewn boards
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mice gnaw on the seam
of a gunny sack of corn
blue mold on the surface
of a jar of apple jelly
Mama just scoops it away
pumpkins never keep
past December
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Copyright Jane Tims 2019
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All my best,
Jane
hauling wood

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hauling wood
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The draft horse answers
to a click, a shake
of the reins, the squawk
of a blue jay, flushed
from the thicket. Long
tail hairs scatter flies.
Chain rings, loops around
the log, its cut end
a brake, ploughs up duff.
Nostrils flare and hooves
find gain in gather
of leaves, paw for ground.
Lather under tack,
he lowers his head.
Takes the woodlot incline
as though he’s navigated
these hardwoods
all of his life.
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Copyright 2019 Jane Tims
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All my best,
Jane
making snowmen
In winter, the snowy roadside slopes keep a record of events. Animal tracks, snowmobile trails and sledding runs each tell a story of adventures in the snow.
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On a drive to Mactaquac, we saw yet another story being told. Narrow tracks, each with a small snowball at the base, document the activities of gravity and wind. I think they are taking the first steps toward making snowmen along the roadside.
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snow games
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at first
wind and gravity
collaborate, roll
the heads of snowmen
down the grade
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wind nudges
the tracks, plays games
of parallels
and criss-crosses
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gravity tires
of rivalry, abandons
bodiless heads
in the snowy ditch
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May you encounter interesting stories on your winter travels!
All my best!
Jane
ice falls
Last weekend we took a drive along Highway 8 from Fredericton to Boisetown, a relatively new road to bypass Marysville and the older winding road along the Nashwaak River. For some of its length, the highway has been carved through bedrock and includes several impressive road cuts. I find these interesting because they show the geological formations in the bedrock. In winter, they are beautiful, a result of the frozen curtains of runoff and overland flow.
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Some of these cuts show thick ice flows, frozen waterfalls and dripping icicles.
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Most are browning in colour, probably from inclusion of sediments, but some are clear and blue.
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In a few places, it’s possible to look through gaps in the flow, and get a glimpse of the still, cold spaces lurking just out of sight.
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curtain of ice
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frozen land drools, and water
follows contours of rock
encounters cold, sculpts
cataracts and waterfalls, builds
frozen walls, solidifies
panes of glass, stitches
curtains of frost and filigree
icicle knives
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behind the curtain are caves
spaces where light glimmers,
diffuse where whispers shiver,
muted, protected from wind
glimpse inward layers
through flaws in rigid curtains
frosted shards of rock
icicle knives
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For more on ice falls, including another poem, see
https://janetims.com/2012/03/10/snippets-of-landscape-ice-falls-on-rock-walls-2/
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My best always,
Jane
first ephemeral snow

snowflakes
absorbed by wet pavement
as though
they never existed at all
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all my best,
Jane






























