nichepoetryandprose

poetry and prose about place

Posts Tagged ‘art

getting ready for fall

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It may seem early, but I have my sights set on November. I plan to sell my book and some of my paintings at a local Christmas market. To have enough paintings ready for the event, I have to start now! Just a bit at a time since I also have to finish two larger canvases already begun!

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This will be a chance to see if I can sell copies of my book ‘within easy reach’ in a market setting. To keep in the theme of gathering wild edibles, the paintings for sale will be of some of the wild fruit we have in New Brunswick:

  • blackberries, in the style of the painting on the cover of my book
  • wild strawberries
  • raspberries
  • low bush blueberries
  • apples

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canvases, edges prepared and ready for paint!

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Since I dread just sitting behind my table, waiting for someone to have a closer look, I will take a couple of canvases and paint as I wait!

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Copyright 2016 Jane Tims

Written by jane tims

July 27, 2016 at 4:17 pm

within easy reach – winner of ‘berries and brambles’ painting

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I am so pleased to announce the winner of my painting ‘berries and brambles’.  The winning raffle entry was drawn at a dinner I attended this week in Fredericton.

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The winner is Margo Sheppard, Fredericton!

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Congratulations Margo!!! The painting ‘berries and brambles’ is yours. Thanks to all those who entered!

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berries and brambles

April 24, 2016 ‘berries and brambles’ Jane Tims

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Holding the raffles for my paintings has been a very enjoyable part of the process of marketing my book! I’ll be offering another painting to win at my reading at Tidewater Books in Sackville in the fall!

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Copyright 2016 Jane Tims

Written by jane tims

July 21, 2016 at 7:39 am

playing alleys

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Kids in the school yard have played marbles since the late 1800s, when glass marbles were first produced for the mass market.

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When my mom talked about marbles, she always referred to them as alleys, no matter what material was used in their construction. According to Wikipedia, alleys were a specific type of marble. Almost every kind of marble has a specific name. When my son played and collected marbles in the 1980s, some of these terms were regularly heard in our home.

aggie – made of agate

alley – a marble made of alabaster

bumblebee – a yellow and black glass marble

cat’s eye – a marble with a eye-like inclusion

crystal – a clear glass marble of various colours

galaxy – opaque marble with coloured dots

oily – an opaque marble with a sheen or oily finish

onionskin – a marble with surface streaks of colour

ox blood – a marble with a streak of dark red

pearl – opaque marble of single colour and a mother of pearl finish

plainsie – a clear glass marble with inclusion of two or more swirled ribbons of colour

swirly – glass marble with a ribbon inclusion of a single colour

tiger – a clear marble with orange and yellow stripes

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There are lots of other marble types and names.

 

June 21 2016 'playing marbles' Jane Tims

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The language of marbles extends to the various moves in the game:

knuckle down – put hand in position to shoot

keepsies – to play for keeps

quitsies – stop playing without consequences

firing – to shoot a marble

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Such interesting possibilities for the language of a poem!

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Writing about a game of marbles will include all the senses (I think my poem will be from the point of view of a boy playing marbles):

sound – clinking of dishes in the sink; grinding of marbles together in the marble bag

taste – grit of sand stirred by wind across the playground; grit of raspberry seeds

feel – the cold smooth feel of a marble; a chunk of icicle from the roof in December

smell – stirred dust; girls watching the games, smelling of Ivory soap and well water

sight – bubble rising through the glass of the marble; bubbles with rainbows sliding; dew drops on Lady’s Mantle in the garden

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I can hardly wait to write a poem about playing marbles in the school yard!

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Copyright  2016  Jane Tims

Written by jane tims

July 15, 2016 at 7:00 am

on my bookshelf: New Brunswick’s Covered Bridges by Helen Coldrick

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One of the ‘must haves’ in a collection of books about covered bridges in New Brunswick is Helen Coldrick’s soft cover book New Brunswick’s Covered Bridges. It includes drawings and information on the 70 bridges that existed in 1992. Today there are only 60 covered bridges in New Brunswick and Helen’s book is one way of seeing some of what we are missing.

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Helen Coldrick. New Brunswick’s Covered Bridges. Neptune Publishing Company Limited: Saint John, 1992.

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Scan0016

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In her book, Helen includes 30 of her black and white drawings of various covered bridges and construction features. I love these drawings because I can see the artist’s process in the lines: her way of using shadow and white space, and her approach to portraying the reflections in water. The drawings also show the setting of each bridge and in some cases, the dramatic landscape of the river beneath.

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Drawings in the book include bridges now lost: the Aaron Clarke Bridge (lost to flooding in 2014) and Iroquois River #4 (no longer standing).  The book also includes a listing of the covered bridges in New Brunswick in 1992. I think one of the values of the book is its snapshot of the situation in years past. The New Brunswick government keeps a list of today’s covered bridges but finding information on those no longer existing is more challenging. Helen’s book shows us what some of these lost bridges looked like and tells some of their stories.

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New Brunswick’s Covered Bridges includes a general history of covered bridges in New Brunswick, and a description of covered bridges by county. The book also includes lots of information on bridge construction, including pages on trusses, abutments, bases, sidings, entrances, windows and walkways, and roofs.

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New Brunswick’s Covered Bridges is available for $7.95 from Nimbus Publishing (www.nimbus.ca). If you are interested in New Brunswick, covered bridges, history or architecture, or if you just like books with lovely drawings, this would be a great addition to your library!

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Copyright  Jane Tims 2016

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dancing around the daisy pole

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Perhaps strange to talk about a Maypole in July but Maypoles have been used for summer celebrations throughout the years. In the old stereoscope photo below, published by a company in Meadville Pennsylvania and  St. Louis Missouri, the Maypole is referred to as a Daisy Pole.

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Maypole

A rather blurry scan of a stereoscopic photo, blurry because it is curved for the viewer. The title of the photo is ‘A June Carnival – Dancing Round the Daisy Pole’ 1900

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When my Aunt Jane was young, attending a small school in Nova Scotia, field days were held in June. In her book, she recalls participating in a field day:

… I was in grade 1 … we had a “field day”. My dress was made of blue and white crepe paper and, holding on to the end of a white paper streamer, I danced around a May pole. I remember my great embarrassment as a gust of wind took the streamer out of my hand and sent it high in the air to flutter in the breeze …

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The decorative Maypole we made years ago to celebrate May 1 every year. Through the years, when I needed ribbon, I occasionally snipped a length from the pole, so there are a few short ribbons!

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July 1 2016 'dancing around the daisy pole' Jane Tims

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daisy pole plan

sketch for ‘dancing around the daisy pole’ … in some ways more lively than the final drawing

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Copyright Jane Tims 2016

Written by jane tims

July 11, 2016 at 7:00 am

Hermit thrush

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Another surprise in the morning bird chorus — a Hermit thrush. I have been listening for it all spring and at last, this morning, the ethereal notes.

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June 24 2016 'thrush ethereal' Jane Tims

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How to describe the song of the Hermit thrush? T.S. Eliot described it in The Waste Land, in V: What the Thunder Said :

 … sound of water over a rock

Where the hermit-thrush sings in the pine trees

Drip drop drip drop drop drop drop …

and

… who is the third who walks always beside you …

and

… In the faint moonlight, the grass is singing

Over the tumbled graves …

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A technical description of the Hermit thrush song is ‘a beginning note, then several descending musical phrases in a minor key, repeated at different pitches.’

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The song is clear, flute-like. To me the essential characteristics are the change in pitch at the beginning of the new phrase and the hint of water within. If you watch the Hermit thrush while she is singing, she stands tall, tilts her head back, looks into the distance with her bright black eye, lifts her feathers ever so slightly and opens her beak. Her throat swells a little but otherwise you are left to wonder, where do those notes begin?

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If her song was another sound, it would be a flute in the forest.

If it was a smell, it would be the sweet scent of mayflowers, as you part the leaves with the back of your hand.

If it was a touch, it would be lifted hairs at the back of your neck.

If it was a taste, it would be syrup drizzled over iced milk.

If it was an image, it would be guttation drops on strawberries.

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What other words describe the song of the Hermit thrush?

clear

precise

covert

alone

sweet

tremolo

pure

hidden

pensive

thoughtful

thicket

froth on a dancing wave

raindrops trembling on the tips of leaves

the step from rung to rung on a ladder

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If it was a vowel, it would be every vowel

If it was a consonant, it would be ‘c’, ‘l’, ‘r’, or ‘v’

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Hermit thrush

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Catharus guttatus

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neither visceral nor guttural, ethereal

tip-toe in tree tops

air pulled into taffy thread

a flute in the forest

froth on a wave

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rain trembles on leaf tips

guttation drops on strawberry

a lifted curtain of mayflower

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I saw you there

hidden in the thicket 

and I followed

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climb the ladder and sing

then step to the rung below

heads up, thoughts of the new day

parting of the beak

pulse at the throat

hairs lift

at the nape

of the neck, fingers

warble the keys

between middle and ring

catharsis

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Copyright  2016  Jane Tims

 

 

 

Mourning dove

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I woke this morning to another new bird in the mix of the morning bird chorus — a Mourning dove. In this area, the Mourning dove is a common bird, seen pecking at seeds beneath feeders or hanging out on the telephone lines. But I haven’t heard one in our grey woods for a while.

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'two Mourning Doves'

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The call of the Mourning dove gives it its name. It begins with a low question and continues in a descending series of coos.

Oh no, no, no, no, no

Dear me, me, me, me, me, me

I decided to try and capture this sound in words.

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Mourning

Melancholy

Monotonous

Sad

Solemn

Hollow, mellow

A reed, the inside walls of a bottle

An emerald bottle, buried to its neck in the sand

Breath across the mouth of a bottle

A child’s feeble attempt at a whistle

Light and shadow inside a vessel of glass

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If the call of a mourning dove were a colour it would be amethyst

If the call of a mourning dove were a sound it would be wind blowing down the stairway of a tower

If the call of a mourning dove were a taste it would be chowder, thick and left too long on the fire

If the call of a mourning dove were a touch it would be a wooden shawl, wrapped round and round until it was no longer warm but strangling

If the call of a mourning dove were a song it would be hesitant, riff-driven, repeated over and over

If the call of a mourning dove were a smell it would be the cloying perfume of lilac

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If it was a vowel, it would be ‘o’ or ‘u’ and sometimes ‘y’

If it was a consonant, it would be ‘m’, ‘n’, ‘r’, or ‘w’

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Heavy or light

Loud or soft

Tall or short

Sad or happy

Bright or dull

Sharp or dull

Nearby or distant

Solemn or joyous

Spacious or confined

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So, from all this, a poem. This is the second draft of a poem about the mourning dove which never mentions the bird except in the title.

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Mourning dove

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Zenaida macroura

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wind wakens, descends the stair

notices shadow, gaps in cladding

the hollow of the tower, breath

across the mouth of a bottle

amethyst, buried in sand

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the reed widened, a solemn song

the riff, the echo, a distant train

expands across the valley

and a child hollows her hand

shapes her lips for a kiss

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tries to whistle, her breath

a sigh, a puff to cool

the chowder, still simmers

on the fire, thick

and needing stirring

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potatoes, corn and onions

curdled cream, a woollen shawl wrapped

round and round, warmth tightened

to struggle, viscous as lilac

unable to breathe

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For other posts and poems about the Mourning dove, see https://janetims.com/2012/01/16/keeping-warm/  and  https://janetims.com/2015/01/30/for-the-birds/

 

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Copyright 2016 Jane Tims

Written by jane tims

June 29, 2016 at 7:01 am

early schools – the exotic and the common

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In my Aunt’s book about early schooling in Nova Scotia, she tells an amusing story about field days at school:

… I recall another field day when Dr. DeWolfe, Miss Harris, and Miss Baker came with shrubs to our school. The shrubs were ten cents each. My mother had always longed for a weigela and a snowball and we were delighted that at last she could have her wish, for both these varieties were among Dr. DeWolf’s  collection. They were duly planted at my home on the bank of the French River. One turned out to be a high bush cranberry and the other a spiraea, but today we still refer to them as the “snowball” and “weigela” and, I may mention, they have many an offspring throughout our province.

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I must have seen the high bush cranberry and spiraea many times at my mother’s old home, but I don’t remember them in particular. I do remember the gardens, lush with rose bushes, tiger lilies, and grape vines.

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June 17 2016 'an exotic shrub' Jane Tims

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Copyright 2016 Jane Tims

Written by jane tims

June 24, 2016 at 6:45 am

within easy reach – another chance to win a painting

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You will recall that earlier this month I held a draw to win the cover art for my book of poetry within easy reach. Carol Steel, a fellow blogger, was the winner of the painting !  http://carolsteel5050.blogspot.ca/

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This is to remind you that I am holding a draw to win another painting — ‘berries and brambles’ (18”x 14”, acrylic, gallery edges, unframed). Anyone who has purchased my book from me or my publisher, Chapel Street Editions, has already been entered in the draw. This includes the blog comment folk who entered the earlier draw.

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berries and brambles~

There is still time to enter to win the painting! Just purchase my book within easy reach between now and June 30, 2016 from me or my publisher!  http://www.chapelstreeteditions.com

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The draw will be held in mid-July at my book signing and workshop at the 8th Annual Free School at Falls Brook Center in New Brunswick. http://fallsbrookcentre.ca/wp/events2/8th-annual-free-school/

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Copyright Jane Tims 2016

Written by jane tims

June 23, 2016 at 7:15 am

Arbour Day in New Brunswick – 1888

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In a previous post, I wrote about the importance of trees in the school yard and the celebration of Arbour Day in schools in Nova Scotia during the early 1900s. One room schools in New Brunswick also celebrated Arbour Day.

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The 1888 Annual Report of the Schools of New Brunswick, by the Chief Superintendent of Education, reports on 1888 Arbour Day celebrations in New Brunswick, years before the first official Arbour Day in Ontario, Canada (1906).  The purpose of Arbour Day celebrations in the school was:

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to encourage the improvement and ornamentation of school grounds and thereby of cultivating on the part of pupils habits of neatness and order, and a taste for the beautiful in nature …

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In 1888 New Brunswick schools celebrated Arbour Day on May 18.  In the whole province, students planted 6,571 trees, 650 shrubs and 393 flower beds!

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Scan0014

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Copyright Jane Tims 2016

Written by jane tims

June 20, 2016 at 7:00 am