nichepoetryandprose

poetry and prose about place

legends along the road 7-15

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Biking (virtually using Street View) through Cornwall is proving to be an adventure.  I am seeing interesting houses, encountering magical byways and learning a lot of history.  Today I drove through the town of Fowey, famous for its associations with Daphne du Maurier, one of my favorite authors.

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view of Polruan from Fowey (image from Street View)

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map showing distance travelled (map from Google Earth)

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Fowey is a place of grand estates and mansions …

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mansion in Fowey (image from Street View)

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and colorful houses …

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colorful houses in Fowey (image from Street View)

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Beside the road outside of Fowey is a granite pillar known as The Longstone or the Tristan Stone.  This may be the burial place of the archetype of Tristan, of the legend of Tristan and Isolde.  The legend tells the tragic story of a Cornish knight and an Irish princess who fall in love after ingesting a potion …

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Tristan Stone by road west of Fowey (image from Street View)

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I also took a quick side trip to an interesting place on the map, just north of Fowey.  From the road, Castle Dore appears as an irregularity in the landscape.  It is the grass-covered ruin of a ‘hill fort’ of the Iron Age, occupied first during the 4th to 1st century B.C. !  The fort protected people from Roman invaders …

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Castle Dore from road

Castle Dore from road (image from Street View)

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The fort was also occupied during the Dark Ages.  In legend, it is identified as the hall of King Mark (who Isolde was supposed to marry) and is therefore associated with the legend of Tristan and Isolde …

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aerial view of Castle Dore (map from Google Maps)

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Best View:  New Road Hill in Fowey, a ‘sunken’ roadway with a staircase for pedestrians …

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July 28, 2013  'Fowey roadway'   Jane Tims

July 28, 2013 ‘Fowey roadway’ Jane Tims

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Copyright   2013  Jane Tims

encounters with literature 7-14

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coast near Fowey (image from Street View)

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map showing distance travelled … Daphne du Maurier’s house is near the yellow dot at about eight o’clock … Pont Pill is the stream at about one o’clock (map from Google Earth)

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On today’s virtual bike trip, I happened upon two locations famous for their literary connections.  Near the end of my trip, I saw Readymoney (from the word for pebbly), the house Daphne du Maurier lived in during 1942.  She lived here while writing her book Hungry Hill ( Doubleday-Doran, 1943) …

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Across the road is the beach at Readymoney Cove.  I imagine Daphne du Maurier looking out on this view as she wrote or thought about her writing …

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Readymoney Cove in Fowey, across from du Maurier house (image from Street View)

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The house was originally the coach house for the mansion at Point Neptune …

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I also took a side road to Pont Pill.  Pont Pill or Pont Creek is thought to have been the inspiration for Kenneth Grahame’s Wind in the Willows …

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Pont Creek beside a nicely landscaped house at Pont Pill (image from Street View)

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Best Views:  Little Lantic Beach and the old water mill on Pont Pill …

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July 23, 2013 ‘Little Lantic Beach’ Jane Tims

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July 29, 2013  'old water mill at Pont Pill'   Jane Tims

July 29, 2013 ‘old water mill at Pont Pill’ Jane Tims

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Copyright  2013  Jane Tims

water and stone 7-13

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treed archway over road near Lansallos (image from Street View)

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map showing distance travelled (map from Google Earth)

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After seeing hidden doors and arched roadways, I am on the lookout for other evidence of enchantment on my Cornwall journey.  So, when the road dipped into one of those treed valleys …

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treed archway near Lansallos (image from Street View)

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I was not surprised to see an unexpected stone stairway …

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unexpected stairway (image from Street View)

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and a roadside fountain …

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water ‘fountain’ in roadway west of Lansallos (image from Street View)

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I think this is a way of making the water in a hillside stream more accessible, but it made me think of the magical associations of woodland pools …

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July 25, 2013 ‘reflection’ Jane Tims

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Best View:  a stone house near Lansallos … pen and watercolor …

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July 22, 2013 ‘stone house near Lansallos’ Jane Tims

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Copyright  2013  Jane Tims

old trees and old towns 7-12

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hedgerows along Raphael Road (image from Street View)

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map showing distance travelled (map from Google Earth)

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After the picturesque town of Polperro, the road I am following takes an inland route.  I peer over the hedgerows and watch for other vehicles on the narrow road …

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be prepared to give way!!! (image from Street View)

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Near Lansallos, agricultural land spreads endless, to the very edge of the sea cliffs.  There are sheep in the pastures …  I just leave little unpainted gaps in the watercolor!

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July 20, 2013   'fields along coast near Lansallos'  Jane Tims

July 20, 2013 ‘fields along coast near Lansallos’ Jane Tims

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Lansallos is a charming village with places to stay …

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Rose Cottage, Lansallos (image from Street View)

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white houses, white blossoms …

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white house, white flowers and white cars (image from Street View)

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and an old (15th century) church …

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St. Ildierna Church, Lansallos (image from Street View)

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You can see the tower of St. Ildierna church from miles away.  The interior of the church was partly destroyed by fire in 2005 but has since been restored through donations.

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The village of Lansallos is listed in the Doomsday Book (the landowner survey done for William I and completed in 1086) as the Manor of Lansalhas !!!

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Best View: old tree near Lansallos … ink and watercolor …

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July 20, 2013 ‘old tree near Lansallos’ Jane Tims

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Copyright  2013  Jane Tims

Written by jane tims

August 16, 2013 at 7:14 am

narrow streets and wide-open countryside 7-11

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Landaviddy Lane in Polperro (image from Street View)

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map showing distance travelled (map from Google Earth)

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I have never encountered such narrow streets as in Polperro.  In this charming little town, the streets bulge with sightseers.  The narrow streets can be confusing, so it’s a good thing the roads are labelled to show the ‘Way Out’ …

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July 21, 2013  'way out in Polperro'   Jane Tims

July 21, 2013 ‘way out in Polperro’ Jane Tims

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Best View:  countryside near Polperro … yellows are a little bright in the scanned version compared to the original painting …

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July 19, 2013  'countryside near Polperro'   Jane Tims

July 19, 2013 ‘countryside near Polperro’ Jane Tims

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Copyright  2013  Jane Tims

Written by jane tims

August 14, 2013 at 7:04 am

peering over hedgerows 7- 10

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Talland Bay (image from Street View)

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map showing distance travelled (map from Google Earth)

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I am beginning to realise, the Cornwall countryside is often not visible from the road, a result of the ubiquitous ‘hedgerow’ …

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peering over hedgerows (image from Street View)

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Fortunately, there are weird trees at intervals …

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eerie tree near Talland (image from Street View)

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and places where the trees make tunnels of the road …

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narrow road and natural archway (image from Street View)

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natural archway (image from Street View)

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Best View:  Church in Talland …  I tried using pen with the watercolour …  I love the big cloud … but the gravestones a bit thin and wavy …

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July 18, 2013 ‘church in Talland’ Jane Tims

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and the waves at Talland Bay … these waves have some frothiness compared to my painting of the beach at Millendreath (see post for August 7, 2013) …

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July 19, 2013 ‘waves at Talland Bay’ Jane Tims

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Copyright  2013   Jane Tims

hills and harbours 7-9

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One advantage of a virtual cycling trip – a day like today is not exhausting in spite of steep roads.  Visiting the city of Looe involves biking from the higher land around St. Martin, down into the valley where Looe is situated.  Leaving Looe means biking up a very steep hill until you reach the high land again.

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houses along West Looe Hill … a long way to the top of the hill (image from Street View)

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map showing distance travelled (map from Google Earth)

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Looe is from a Cornish word meaning ‘deep water inlet’.  The River Looe divides the town into East and West.

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approaching Looe from the east (image from Street View)

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The town is a busy port.  Life seems to be centered around the river and the bridge crossing the river …

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bridge over Looe River (image from Street View)

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Sail boats anchor just off Quay Road …

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view along Quay Road (image from Street View)

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It can’t always be fun to live at the base of a steep hill …

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what happened to the white car? (image from Street View)

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Best View: a composite of two places on West Looe Hill … a garden of shrubs and ferns …

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and a view of a quaint stone stairway …

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I think they blended well into a single painting …

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July 15, 2013  'West Looe Hill'   Jane Tims

July 15, 2013 ‘West Looe Hill’ Jane Tims

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Copyright  2013  Jane Tims

on the beach at Millendreath 7-8

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church at St. Martin (image from Street View)

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map showing distance travelled (map from Google Maps)

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On Day 8 of my virtual bike trip along the coast of Cornwall, I did three watercolors of the countryside.  I can’t keep this up, but for now, I am enjoying learning about watercolor technique.  My plan is to practice, using the scenes of Cornwall as my inspiration, and later, do a series of watercolors ‘en plein air‘ in an area of New Brunswick I know well.

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I began my biking in Millendreath on the beach looking toward Looe Island.  I love the band of red seaweed, left by the waves at high tide.  My waves need work – I have tried leaving white space and then highlighting the areas later with Titanium White, but this does not allow for splashy detail in the waves.  I plan to try a product called ‘resist’ – it keeps small areas free of paint until it is removed.  The name Millendreath sounds like it comes straight from the Lord of the Rings  …

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July 13, 2013  'beach at Millendreath'   Jane Tims

July 13, 2013 ‘beach at Millendreath’ Jane Tims

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In St. Martin, I passed by the Parish church …

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July 13, 2013  'Parish Church, St. Martin'  Jane Tims

July 13, 2013 ‘Parish Church, St. Martin’ Jane Tims

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On the high land above Millendreath, the scenes are of distant hills and fields …

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July 13, 2013  'countryside near St. Martin'  Jane Tims

July 13, 2013 ‘countryside near St. Martin’ Jane Tims

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Copyright   2013   Jane Tims

along Looe Hill 7-7

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stairs along Looe Hill (image from Street View)

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map showing distance travelled (map from Google Earth)

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Looe Hill (pronounced to rhyme with ‘who’) is probably the most magical, interesting place I have discovered so far on my virtual journey.  Much of the length of the road is a narrow path between high banks.  The overhanging trees must create a microclimate where wildflowers and ferns thrive …

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ferns and flowers on the road banks of Looe Hill (image from Street View)

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More open sections of the road show the steep terrain …

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Gorse on Looe Hill (image from Street View)

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Best View:  leafy tunnel on Looe Hill …  I like this watercolor, especially the ferns, done using a dry brush to pull color from the fern shape, and the way the light varies across the painting  …

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July 10, 2013 ‘Looe Hill’ Jane Tims

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This image provided the inspiration …

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road on Looe Hill (image from Street View)

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Another magical view was of ‘caves’ created by the overhanging vines.  I made two attempts at this … the first was a disaster.  I like the second attempt (below) but it fails to capture the ‘caveness’ of the view.  I like the vines, done by dipping the head of a carved eraser in the paint !!!

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This is the inspiration for the painting …

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vine ‘caves’ on Looe Hill (image from Street View)

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Copyright  2013   Jane Tims

writing a novel – objects and symbols

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Title: unknown

Working Title: Saving the Landing Church

Setting: a writers’ retreat, including an abandoned church

Characters: main character Sadie, a writer; her husband Tom; people from the community

Plot: the story of how Sadie tries to win over a community in order to preserve an abandoned church

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If you are new to following my Blog, you may not know I have been writing a novel since last November.  If you have followed my Blog for some time, you may be wondering if I have abandoned my novel for the world of watercolor painting – not so.

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abandoned church near Knowlesville, New Brunswick

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I am on Draft Six.  I have taken the comments of my readers and members of my writing groups to heart, considered them carefully and made many revisions in the Fifth and Sixth Drafts.  I have also paid careful attention to three workshops I attended on writing fiction.

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One of these workshops was exceptionally thought provoking, teaching me to look at elements of my book in a new way.

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Our instructor at this course suggested we pay particular attention to the objects mentioned in our writing.  Mentioned once, an object, such as a table, is just a table.  Mentioned twice, it becomes a symbol, and the reader remembers the first mention of the object and draws understanding from the symbolism.    So a table may be remembered for the people siting at it and the subject of their conversation.  Perhaps it becomes a symbol for family, for example.  If, in the second mention, someone breaks the table by putting too much weight on it, this may make a comment on the idea of family in the story.  By breaking the table, the family may be damaged or broken.  The use of symbols deepens meanings and helps the plot reverberate throughout the writing.

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The instructor also said that symbols operate like mini sub-plots throughout the story.  These mini-plots echo the main plot, and the objects change in a way that illuminates the main plot.  The mini-plots also tend to occur in three ‘beats’, providing a beginning, middle and end.  For example, the table is bought at an auction, broken and finally mended.

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In this round of edits, I have tried to examine the use of symbols in my novel.  To do this, I built a list of the objects I have used as symbols.  Then I looked for their occurrence in the novel to see if I could identify three ‘beats’ and a mini sub-plot.  In some cases, I identified gaps – fixing these has helped me to solidify my overall plot and improve the understanding of my readers.

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lych gate and rock wall, Hampton

a lych gate is one of the objects I use as a symbol in my novel

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This is a short version of my list of some of the objects/symbols in my book.  When I assembled the list, the items in red were missing and I had to fill out the story accordingly.  Perhaps you can use this method to help strengthen the narrative in your own fiction.

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Object Symbolism Occurrence   (Chapter Numbers) Mini-plot
long bench togetherness 11 21 23 bench moves from private to communal space; people start working together
stained glass relationship between sacred and   secular 1 9 23 stained glass window breaks and is repurposed; the sacred becomes the secular
lych gate death 1 9 20 lych gate falls into decay; fear of death is no longer the driving factor in a family
red shoes respect 1 9 21 community’s view of main character is altered
minister’s collar mentorship 1 15 21 although he leaves the church, a minister grows as mentor to a family and the community
blue plastic truck secular within the sacred 3 11 21 a plastic toy becomes an object worthy of protection; the secular becomes the sacred
Jasper the dog companionship 8 16 19 a new dog helps build a family
air fern in a swan vase ability to change (a sea-creature   poses as a fern) 3 8 23 something unwanted becomes valuable

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Jasper the dog was a late addition to my novel, but he opened up so many story possibilities, I’m glad he came to be one of the characters

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Each time I add something new to the narrative, I have to make other edits in consequence.  However, I find these changes are worth the effort since they contribute to building the story.

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Have you considered the use of objects as symbols in your writing?

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Copyright  2013  Jane Tims

Written by jane tims

August 3, 2013 at 7:13 am