Posts Tagged ‘Tansy’
harvesting colour – the yellow of tansy
Since last September, a small bunch of Tansy (Tanacetum vulgare L.) has hung on the line in my kitchen. Now, with a small batch of alum-treated wool, I am able to see what colour will come from the dried and lifeless flowers.
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dried Tansy, collected in 2013
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To extract the dye, I crumbled the flowers and leaves and soaked them in water overnight. Then I added more water and brought them slowly to a boil in my big, well-marked dyepot (marked so I will not use it for food by mistake). After an hour’s boil, I let the dye cool and strained the liquid. The result was a clear, amber-yellow dye.
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dye from Tansy and water, simmered
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To dye the wool, I added water, immersed a shank of alum-treated wool and slowly brought the dye to a simmer – one hour and then the long process of cooling (I am realising that dyeing is more about waiting than doing!!!!!!!!!!!). The result is a green-yellow, almost exactly the colour shown for Tansy-dyed fibre in Jenny Dean’s book (Wild Color) !!! My photo is not clear because the drying line insists on vibrating but you can clearly see the colours – left to right – the brown of the lichen-dyed wool from a few days ago), the green-yellow of the Tansy-dyed wool and the tan of the undyed wool.
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three shanks of wool, dyed with the lichen Usnea (left), dyed with Tansy (center) and raw wool (treated with alum)
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I wrote my poem to the heady yet sleepy smells of the Tansy boiling in its dye pot. I remembered the living Tansy, growing in the ditch last summer, each flower cluster hiding a sleepy bumblebee that had to be shaken from its resting. I was also reminded in my reading that Tansy was used so often at funerals in New England in the 19th century that people associated its smell with death.
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Tansy in the ditch
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sleep before dyeing
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Tanacetum vulgare L. – Common Tansy, Mugwort, Bitter Buttons
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Bitter Buttons hover in the dye pot
simmering on the kitchen stove
drowsy scent of camomile
camphor and rosemary
liquid amber, saffron sallow
jaundiced pale of Tansy
reclines in the roadside ditch
each flat-topped cluster
hibernaculum
for a furred and yellow
unconcerned
and mellow
bumblebee
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Copyright 2014 Jane Tims
harvesting colour
Recently I was awarded an artsnb (New Brunswick Arts Board) Creations grant. My six month project will be to write a book-length poetry manuscript about the experience of using plant dyes for colouring textiles.
The poems will find their inspiration in the activities of collecting plants, extracting their dyes and using them to colour woven fabric.
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one of the plants I will be using is Tansy (Tanacetum vulgare) – it grows throughout New Brunswick and can be used to make yellow and olive dyes
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Writing these poems, in many ways, should echo my previous project ‘growing and gathering’. I will do some research about a particular plant, then go forth and find it. For the ‘growing and gathering’ project I had a lot of fun exploring various areas of the province for the plants I needed, so I know I will love this part of the experience. It will be when I get the plant material home that the differences between the two projects will become clear. With ‘growing and gathering’, writing poems about picking berries seemed second nature to me since I’ve spent a lot of my life in berry fields.
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some of the ingredients for a ‘growing and gathering’ salad
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With ‘harvesting colour’, I will be learning a craft new to me. I’ll be trying to manage the complex alchemy of “pot type plus source water plus plant material plus mordent plus receiving material”. Lots of chemistry and a few colour tragedies, I’m certain. And discovery, as purple plants become yellow dye. I hope to combine making plant dyes with my weaving, an activity I find totally relaxing and steadying.
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some of my weaving results over the years … it will be fun to see what colours my project will bring to my weaving
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So where will the poems come from and what will they say? I’ll be looking for metaphors for human experience and emotion. I’ll try to embed ideas about reconnection with nature and about cultural expression through decorating fabric. I’ll use words from botany and chemistry, and a rich colour dictionary. I can hardly wait to explore all the words for yellow, and green, and red.
I want to write poems about ‘saddening’ the colour by adding a pinch of salt, and ruining a dye lot by forgetting to tend it well. I’ll write about oak leaf imprints on cloth, and the different yellows created with apple bark and poplar leaf. I’d also like to write poems about the ordinary life experience of plant dyes – grass stains on knees, the grey Choke-cherry jelly bag, the Cranberry stain on the tablecloth.
I’ll be presenting at least some of my poems here and I’ll certainly be sharing my experiences. I’ll continue to present my virtual travel, novel writing and watercolour posts, but I plan to devote Friday’s post each week to ‘harvesting colour’. Hope you visit regularly to follow me in my project!
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Copyright 2014 Jane Tims
the colour of October #2 (Tansy yellow)
So many colours! The orange of the big pumpkin on our doorstep. The reds and yellows of the Red Maple leaves in piles under our feet. The bright white of the moon this month. The golden colour of the needles of the Tamarack now falling with every breath of wind.
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The colour that has inspired me this week is the yellow of Tansy (Tansy vulgare L.) still bright along the road in Fredericton. The flowers are like brilliant yellow buttons.
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I couldn’t duplicate the colour with the yellows in my watercolour palette, but after layers of alternating yellow and white, I have realised how wonderful the yellows of nature really are!
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October 27, 2013 ‘Tansy’ Jane Tims
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In a month’s time, the bright yellow heads of the Tansy will be black!
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Copyright 2013 Jane Tims
autumn black and white
Roaming around the countryside, the weekend before last, deluged by color from orange and yellow trees and crimson fields of blueberry, I was interested by the contrast in the ditches. A month ago, they were a riot of yellow or purple as the goldenrods, tansies and asters presented themselves, species by species. Now, they are done with blooming and are in the business of releasing their seeds.
To attract pollinators for setting their seeds, flowers put on a competitive display of color and form. But dispersing their seeds is a different process altogether. Many depend on the wind to carry their seeds to ideal sites for next year’s bloom and the wind is color-blind. Grey, white and even black are the dominant colors in the ditches.
Seeds dispersed by wind either flutter to the ground, or float in the air. Often, they are assisted by a special seed form. For example, maple keys are flattened and aerodynamic so they spin and travel some distance as they fall. Seeds of goldenrod and aster have feathery white bristles (called the pappus, a modified sepal) to help them float through the air. The term pappus comes from the Latin pappus meaning ‘old man’, an apt description of the white heads of the flowers, gone to seed.
Another species in the ditch, Common Tansy (Tanacetum vulgare L.), also known as Golden-buttons, ordinarily has bright yellow flowers in a flat head. Now, it has joined the black and white revue, showing black seed-heads against feathery leaves.
The seeds of Tansy, in a form called an achene, have no special adaptation for flight. This time of year, these seeds are dry and ready for dispersal by gravity.
autumn black
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dry leaves
silent
colorless
wonder withdrawn, into the vortex of
no hue, no delight
cones suppressed, rods perceive
absence, black seed in heads of Tansy
absorb all light, feathered foliage
darkest green, approaching black
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© Jane Tims 2011
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