nichepoetryandprose

poetry and prose about place

Posts Tagged ‘poetry

small scale economy – picking berries

with 6 comments

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'five blue berries'

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small-scale economy

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my box of berries spilled

on the footpath,

between leaves

of Kalmia and wintergreen

hawkweed and cow pies

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the cousins, their boxes brimming,

stood gawking, dismayed,

I was certain they were thinking

dumb city girl, spilled her berries

box only half full anyway

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instead, they gathered around me

sympathy in every hand

scooped most of the berries

into the box

added a few from nearby bushes

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seventeen cents he paid me

half the value of a box at full

the cousins had picked a crate or more,

remembered the wasted berries, left on the trail

and wept at the loss

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Published as: ‘small scale economy’, Canadian Stories 16 (94), December 2013/ January 2014

Copyright 2014 Jane Tims

Written by jane tims

March 24, 2014 at 7:14 am

harvesting colour – memorable colour

with 2 comments

I am starting to think about some of the colours I hope to capture in my dyeing projects.  In my reading I have discovered that plant colours come from three groups of plant pigments:

  • the porphyrins – includes chlorophyll, the green pigment in plants that enables photosynthesis to occur
  • the carotenoids – includes the yellows of carrots and the red lycopene of tomatoes
  • the flavonoids – the yellows of flower petals and the red, blue and purple anthocyanins of strawberries and blueberries

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In my poems, I want to portray these colours with words.  A quick look in the thesaurus shows how many words we have for the various colours:

  • green: emerald, sage, verdigris, malachite, beryl, aquamarine, chartreuse, lime, olive …
  • yellow: ivory, lemon, saffron, gold, sallow, buff …
  • red: scarlet, carmine, vermillion, crimson, ruby, garnet, maroon, brick, rust …
  • blue: azure, phthalo, cerulean, indigo, sapphire, turquoise, watchet, navy, teal …
  • purple: lilac, violet, mauve, magenta, heliotrope, plum, lavender …

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Copyright 2014  Jane Tims

Written by jane tims

March 21, 2014 at 7:06 am

beekeeper

with 4 comments

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beekeeper

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1.

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bees smoke-drowsy   rag smoulders   swung slowly   protected thick

in net and cotton   wicking folds   into beeswax   candle flame

pours golden   through panes   in the honeycomb

streamers   sweet circles   sink into bread

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hollows

yeast-filled

and honey

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2.

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bee sting

unexpected

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beekeeper

never flinches

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flicks the bee

from his fingers

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spit and mud

for a poultice

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Published as: ‘beekeeper’, Canadian Stories 17 (95), February/March 2014

Copyright  2014   Jane Tims

Written by jane tims

March 19, 2014 at 7:03 am

beech leaves and berries

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One more poem about winterberry holly …

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winterberry holly in early winter

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beech leaves and berries

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watch the wretched shudder

of the second hand, clutch

at the day, a beech leaf, intent

or winterberries persistent

through December

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peeling paint on the door

of the shed, insistent –

resist new color

parchment leaves and paint chips rattle

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on a day in January

a grey-green flake of paint

is tumbled by wind

and vermillion berries surrender

drop

by

drop

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indifferent snow

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Copyright 2014  Jane Tims 

Written by jane tims

March 17, 2014 at 6:57 am

harvesting colour – mordants and modifiers

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Dyeing textiles involves more than just the dyestuff.  Simmering cloth in a dye bath may initially produce a beautiful colour, but without help, the colour may fade in sunlight, or over time.

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Mordants:  Mordants are substances that assist the dyeing process by improving the colour-fastness of dyes (to washing and light), and by modifying the strength and quality of colour.  Mordants bond with both dyestuff and fibre so the resulting colour is more permanent.  Mordants include metals such as aluminum, copper and iron.  I have a quantity of a safe mordant, alum (aluminum sulphate) and I may try other mordants as I become more experienced.

Colour modifiers: After a fibre is dyed, colour modifiers can be used to increase the range of colour possibilities.  In some cases this means changing the pH with modifiers such as vinegar.  Modifiers also include after-mordants (additions of copper or iron).  Adding iron as a modifier results in ‘saddening’ of the colour …  for example, a brown obtained from a tannin-rich dye can become almost black.

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My reading about mordents and modifiers made me think about keeping colours vivid in memory.  Perhaps, when we remember a particular scene in full vibrant colour, there is some ‘memory-mordent’ involved !!!  In the poem, the mordants aluminum, copper and iron are there in the coastal environment, strengthening memory …

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Peggy's Cove, Nova Scotia

Peggy’s Cove, Nova Scotia

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colourfast

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how do I explain

the being present

the exquisite memory

the precise phthalo

of ocean, the cobalt

of sky, salt breeze,

viridian horizon

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perhaps some mordant made

this memory strong – aluminum

from my morning tea, copper sulphate

patina from the weathervane

pointed landward

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and the boathouse

mooring, rusted

saddened the colour

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near Torr Bay, Nova Scotia

near Torr Bay, Nova Scotia

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Copyright  2014  Jane Tims

Written by jane tims

March 14, 2014 at 7:25 am

winterberries

with 16 comments

Before the winter snows are entirely gone, I want to share this poem.  All through the winter months, winterberry holly clings to its bright orange-red berries, refusing to let go …

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October 27, 2013  'Winterberry red'   Jane Tims

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winterberries

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berries of holly persist

long into winter, cling to

the bough, after leaves have fallen

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grief refuses to let go

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but what is one berry among

so many – in the end all

berries desiccate and die

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birds wheel in limitless sky

look below and see

one red pixel punctuates

vast emptiness of snow

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Copyright  2014   Jane Tims

Written by jane tims

March 12, 2014 at 7:40 am

harvesting colour – the chemistry of colour

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I have done a lot of reading this week, mostly to brush up on some basic chemistry in preparation for my project on using plant dyes.

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It took me a couple of years in university to discover that chemistry was not my forté.  I loved the mathematics of first year inorganic chemistry but I met my match with organic chemistry in my second year.  I came to the conclusion that chess, music theory and organic chemistry have something in common … Jane cannot win a chess match against a cat.  Jane cannot transpose music. And Jane cannot figure out elimination and substitution reactions in organic chemistry.  I did try.

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In spite of my theoretical difficulties, I loved the labs in chemistry.  Creating little quantities of limonene and caffeine and aspirin was fun.  And I loved the visuals of the chemistry lab – the colours of the various chemicals, the architecture of the glassware and the various drips and sizzles and, occasionally, puffs of smoke.

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My first introduction to chemistry lab was a simple titration demonstration, showing a way to use the colour of an indicator to determine an unknown concentration.  It seemed magic as I swirled the flask and watched for the solution to change its colour from clear to pink.  I saw the parallels to botany right away.  Today, I never look at a shrub of Hydrangea without thinking about the connection between the colour of the flowers and the acidity of the soil.  Alkaline soils promote pink flowers.  Increased acidity makes more aluminum available to the plant and the flowers turn blue as the aluminum associates with the plant pigment anthocyanin.  These are the kinds of interactions I expect to see in my dyeing projects.

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And so, here is my first offering of poetry in the theme of ‘harvesting colour’.  It is not about dyeing fabric, but explores the idea of colour change as a metaphor for trying to understand human emotion.

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titration

                 – to determine the concentration of an unknown solution, we watch for change

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all summer she sits, the sag of a meniscus

on the stair of the veranda, tucked,

at the start-point of the burette,

into stems of hydrangea

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mopheads droop and rain adjusts

the soil, basic to acidic, drop by drop

pink petals turn violet

first titration always an estimate

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as the corymb favours blue, we realise –

basic words and helpful anecdotes will not be

enough, the situation is complex, not merely a matter

of pH, but the interaction, aluminum with anthocyanin

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titration demands a practiced hand, a careful

eye to mark the end-point when colour prevails

and makes sad chemistry, on the last day of August

when hydrangea succumbs to blue

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detail of Aug. 10, 2013 `hydrangeas, Carlyon Bay` Jane Tims

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Copyright  2014  Jane Tims

Written by jane tims

March 7, 2014 at 3:35 pm

apple pie, no apples

with 8 comments

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apple pie, no apples

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apple pie, no apples

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fooled a lot of people –

aunts with PhDs

friends from school

my father

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now I lift the crust

from every slice of apple pie

look for evidence –

pin-holes, punched by a machine

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the recipe, simple as substitution

pie crust

sugar

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a shot of lemon, flour to thicken

cream of tartar (to fool taste buds)

a generous dusting

of cinnamon

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and

a stack of soda crackers

snapped in two (hand-broken facsimile

of apple)

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no one ever seemed to notice

the pin-holes, punched by a machine

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Published as ‘apple pie, no apples’, Canadian Stories  17 (95), February/March 2014

For a recipe for Mock Apple Pie, see https://nichepoetryandprose.wordpress.com/2012/08/06/growing-and-gathering-learning/

Copyright  2014  Jane Tims

Written by jane tims

March 5, 2014 at 6:47 am

february chill

with 4 comments

memories of a walk on a cold night …

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spaces in the dark

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white on the pasture

interrupts the night

clings to cold twilight

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footfalls

beside me

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a black horse

assembles from shadow

ponders the snow

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your coat

folded around me

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the horse lifts its head

knows where deer hesitate

where wings brush against barn boards

where I stand in the snow

and shiver

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never so warm again

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chill spaces around me

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no feathers to fly

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Copyright  2014  Jane Tims

Written by jane tims

February 10, 2014 at 1:25 pm

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harvesting colour

with 17 comments

Recently I was awarded an artsnb (New Brunswick Arts Board) Creations grant.  My six month project will be to write a book-length poetry manuscript about the experience of using plant dyes for colouring textiles.

The poems will find their inspiration in the activities of collecting plants, extracting their dyes and using them to colour woven fabric.

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one of the plants I will be using is Tansy (Tanacetum vulgare) – it grows throughout New Brunswick and can be used to make yellow and olive dyes

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Writing these poems, in many ways, should echo my previous project ‘growing and gathering’.  I will do some research about a particular plant, then go forth and find it.  For the ‘growing and gathering’ project I had a lot of fun exploring various areas of the province for the plants I needed, so I know I will love this part of the experience.  It will be when I get the plant material home that the differences between the two projects will become clear.  With ‘growing and gathering’,  writing poems about picking berries seemed second nature to me since I’ve spent a lot of my life in berry fields.

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some of the ingredients for a ‘growing and gathering’ salad

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With ‘harvesting colour’, I will be learning a craft new to me.  I’ll be trying to manage the complex alchemy of “pot type plus source water plus plant material plus mordent plus receiving material”.  Lots of chemistry and a few colour tragedies, I’m certain.  And discovery, as purple plants become yellow dye.  I hope to combine making plant dyes with my weaving, an activity I find totally relaxing and steadying.

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various projects

some of my weaving results over the years … it will be fun to see what colours my project will bring to my weaving

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So where will the poems come from and what will they say?  I’ll be looking for metaphors for human experience and emotion.  I’ll try to embed ideas about reconnection with nature and about cultural expression through decorating fabric. I’ll use words from botany and chemistry, and a rich colour dictionary.  I can hardly wait to explore all the words for yellow, and green, and red.

I want to write poems about ‘saddening’ the colour by adding a pinch of salt, and ruining a dye lot by forgetting to tend it well.   I’ll write about oak leaf imprints on cloth, and the different yellows created with apple bark and poplar leaf. I’d also like to write poems about the ordinary life experience of plant dyes – grass stains on knees, the grey Choke-cherry jelly bag, the Cranberry stain on the tablecloth.

I’ll be presenting at least some of my poems here and I’ll certainly be sharing my experiences.  I’ll continue to present my virtual travel, novel writing and watercolour posts, but I plan to devote Friday’s post each week to ‘harvesting colour’.  Hope you visit regularly to follow me in my project!

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Copyright  2014  Jane Tims

Written by jane tims

February 7, 2014 at 7:00 am