silence
How many stories written by Edgar Allan Poe can you name? Certainly ‘The Pit and The Pendulum’. Perhaps ‘The Fall of the House of Usher’ and ‘The Purloined Letter’. Perhaps ‘The Murders in the Rue Morgue’.
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My favorite story by Poe is ‘Silence – A Fable’, published in 1837. As many of Poe’s tales of the macabre, after numerous readings it still has the power to send shivers along the spine. The setting of the story is vividly portrayed with words. These were the inspiration for my painting.
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The waters of the river have a saffron and sickly hue; and they flow not onwards to the sea, but palpitate forever and forever beneath the red eye of the sun with a tumultuous and convulsive motion. For many miles on either side of the river’s oozy bed is a pale desert of gigantic water-lilies. They sigh one unto the other in that solitude, and stretch towards the heaven their long and ghastly necks, and nod to and fro their everlasting heads. And there is an indistinct murmur which cometh out from among them like the rushing of subterrene water. And they sigh one unto the other.
From Edgar Allan Poe, ‘Silence – A Fable’, 1837
‘Silence – A Fable’ describes the waters of the Zaire River and a strange man who sits on a rock along the river. A Demon in the water, wants the man to get down from the rock. So the Demaon sends all manner of horrors: the hippopotamus and the behemoth, and the tempest with torrential rains, thunder and lightening. But the man will not get off the rock. So what does the Demon do to get the man down from the rock. You need to read the story.
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For a full text of this wonderful fable, see http://classiclit.about.com/library/bl-etexts/eapoe/bl-eapoe-silence.htm
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I have a book of stories by Edgar Allan Poe that belonged to my Uncle Alec. The stories are illustrated with wood engravings by Fritz Eichenberg. These engravings are, in themselves, a study in horror. I thought you might like to see a couple of my favorites.
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Illustration by Fritz Eichenberg of the Edgar Allan Poe story ‘The Fall of the House of Usher’ (Poe, 1944, Tales of Edgar Allan Poe, New York: Random House)
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Illustration by Fritz Eichenberg of the Edgar Allan Poe story ‘The Black Cat’ (Poe, 1944, Tales of Edgar Allan Poe, New York: Random House)
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I wonder how Fritz Eichenberg would have illustrated ‘Silence – A Fable’. Perhaps illustrations can never be as frightening as ‘… and the lilies sighed one unto the other in the solemnity of their desolation’. Just try reading the story aloud!
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Copyright 2015 Jane Tims
heart of darkness
I love to read. Certain scenes in the books I read stick in my head. Sometimes they inspire me to try to capture the author’s words on canvas.
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I thought I would share a few of my paintings over my next few posts. If you have read these books, perhaps my paintings will remind you of the words and scenes they try to portray. If you have not read them, perhaps the paintings will inspire you to add them to your reading list.
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‘ … Only the barbarous and superb woman did not so much as flinch, and stretched tragically her bare arms after us over the somber and glittering river …’ – Joseph Conrad, 1902, Heart of Darkness
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I first read Joseph Conrad’s ‘Heart of Darkness’ in school. First published in 1902, the book is set against a background of British colonialism and the ivory trade. The novella takes us on a dark journey along the Congo River as the narrator travels to meet Kurtz, the chief of the Inner Station of a Belgian Trade Company. The book is a study of what happens to humans when corruption and greed become the drivers for life, and when they are left to operate outside the norms of society.
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The painting tries to capture the moment in the story when the steamboat is about to leave the Inner Station with the gravely ill Kurtz. The natives he has been living with come to the shore. Kurtz’ ‘mistress’, a ‘superb woman’, reaches her arms towards the leaving steamer. A moment later the men on the boat use the people on the shore for target practice.
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My battered and dog-eared copy of Heart of Darkness. Leonard F. Dead (ed.) (1960) ‘Joseph Conrad’s Heart of Darkness – Backgrounds and Criticisms’, Englewood Cliffs: Prentice-Hall, Inc.
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Copyright 2015 Jane Tims
please affix a 1 cent stamp
Among my many genealogy projects is the study of a stack of 174 post cards sent to my Grandmother (Katie Clark) from 1906 to 1910. The post cards are a record of her travels to the United States where she was studying to become a nurse. To see more about this project, see https://nichepoetryandprose.wordpress.com/2015/02/09/a-stack-of-post-cards/
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The stamps used to post the cards make an interesting study. In the early 1900s, it cost 1 cent to send a post card in both the United States and Canada. The postage requirements are printed in the upper right hand corner of this undated post card.
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Since the post cards were mailed in both Canada and the United States, I have examples of stamps from both countries. The numbers in brackets (below) indicate the number of stamps I have of the type for a given year.
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Canada
Green, Edward VII, perforated, 1 cent, 1906 (2), 1907 (7), 1908 (9), 1909 (8), 1910 (41), unknown date (10) (Note: King George V came to the throne in May 10, 1910, but stamps with his image were not issued until 1911)
Green, Cartier and Champlain, perforated, 1 cent, 1908 (1), unknown date (1)
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Very occasionally, people used a 2 cent stamp to mail a post card.
Red, Edward VII, perforated, 2 cent, unknown date (2)
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USA
Green, Franklin front-facing, perforated, 1 cent, 1906 (4), 1907 (5), 1908 (9), 1910 (3), unknown date (4)
Green, Franklin left-facing, perforated, 1908 (1), 1909 (9), 1910 (4)
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In the collection is one USA example of a 2 cent stamp.
Red, Washington, perforated, 2 cents, 1907 (1), 1909 (1)
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One card of the collection was mailed in 1913 to my Great-Grandmother, Mary Jane, Katie’s mother.
Green, Washington, perforated, 1 cent, 1913 (1)
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Since Katie also received two post cards from Mexico, two of the stamps are from that country. They depict the scene on the Mexican coat of arms, an eagle holding a snake in its mouth.
Mexico
Green, Eagle Eating Snake, perforated, 2 cents, 1908 (2)
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When I was young, I collected stamps for a short time, sorting through cloth pouches of bulk stamps from all over the world. Philately, the study of stamps, is not really one of my interests, but I did enjoy making a study of the stamps on my Grandmother’s post cards, mailed over one hundred years ago to help people keep in touch – the modern equivalent of a text message or e-mail.
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Copyright 2015 Jane Tims
in the shelter of the covered bridge – conjunction
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conjunction
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planets and moonlight whisper, scamper
into crevasses in the covered bridge
half-ton’s headlights enter
overwhelm the shadows
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chin velvet of Venus and Mars
sickle of mid-winter moon
truck lights startle a winter hare
erect on haunches, paw lifted
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frosted by sky-gaze, worshipping
the sliver of moon, dismayed
at desecration, round glare
of predator eyes
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fright to stop a heart
or flight to mobilize
hind-legs, straighten before
fore-legs turn
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and long ear shadows
quit the length of the bridge
ahead of whiskers, nose
and rabbit wisdom
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Copyright 2015 Jane Tims
a preface for a poetry manuscript
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As followers of my Blog will know, I am working during these first months of 2015 to finalise, for eventual publication, a manuscript of the poetry I wrote for my ‘growing and gathering’ project (see the Category ‘growing and gathering’ for more information).
Now that the poetry is ordered within the manuscript, I have to pay attention to the ‘Front Matter’. This includes:
title: ‘within easy reach’
dedication: the manuscript is dedicated to my husband
table of contents: a listing of the poems
acknowledgements: all the people I want to thank and the support of artsnb and the Creations Grant
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The above four items are straightforward. I needed some information about the next three:
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foreword
preface
introduction
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Foreword: written by someone other than the author of the book, usually an authority – celebrates the work and provides credibility.
Preface: written by the author of the book – includes the purpose and scope of the work, explains the origins of the central idea in the book, and may acknowledge those the author wants to thank.
Introduction: written by the author or an editor – includes information on the contents of the book, the author, and the audience.
Source: http://www.quickanddirtytips.com/education/grammar/foreword-versus-forward#sthash.No5DaWpu.dpuf
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Many of the poetry books I have in my library do not include a Foreword or Preface, and Acknowledgements are often placed in the back of the book. I find this is true of collections where the theme of the poems is not immediately obvious. But collections about a particular subject, such as those about history, often have a Preface or Introduction.
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For example, Jack’s Letters Home (Cynthia Fuller (2006) Stable Cottage, U.K., Flambard Press) includes an Introduction. The book is a collection of gritty poems based on real letters written by a British soldier in the First World War. The Introduction tells the soldier’s history, the story of how the letters were found and a little about the characters in the poems.
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I have two poetry collections by Shari Andrews. Both focus on history. Crucible (Shari Andrews (2004) Canada, Oberon Press) is an insightful collection of poems depicting characters and events in the life of Saint Catherine of Sienna. It includes a Foreword by the poet. The Foreword includes background on Saint Catherine of Sienna, information about the inspiration for the book, and acknowledgements.
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The Stone Cloak (Shari Andrews (1999) Canada, Oberon Press) is a collection of tactile, sometimes fierce, poems about the lives of settlers of New Denmark in New Brunswick. The Foreword includes information about the poet’s connection to the community and briefly describes the history of New Denmark. It includes acknowledgements.
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Although it is not a book of poetry, in an 1843 edition of A Christmas Carol Charles Dickens includes a brief Preface, consistent with the spirit (!) of his story:
I have endeavoured, in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each
other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it!Their faithful friend and Servant,
CD.
December 1843.(Source: http://www.themorgan.org/collections/works/dickens/ChristmasCarol/3, accessed February 23, 2015)
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a ‘grown and gathered’ salad – leaves and flowers of violet, leaves of mint and dandelion, bean sprouts and green onions
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My poetry manuscript has a very specific theme – the ‘growing and gathering’ of local foods. Since all of the poems are about a particular topic, I think including a Preface is appropriate. I want the Preface for my manuscript to:
- be short (less than a page)
- inspire my audience
- include the purpose of my poems
- provide an overview of the contents
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When I was young, I always skipped the Preface of any book I read. Now, I read the Preface first, eager to find information about the process the author followed in conceiving of or writing the book.
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Copyright 2015 Jane Tims
a moment of beautiful – shadow forest
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tree shadows, drawn on a sloped roof
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tilted shadows on snow, graphite stems, crowded trees
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pencil sketch of woodland, whim
of northern winter, slanted sun
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from the trees, truth, but the artist lies
maligns tree shape, size and colour
wind direction
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shadow trees without wild life
red squirrels and blue jays
seldom visit while light and pencil
sharpen their edge
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only phantom light in space
between sender and receiver
message warped, passed
from molecule to molecule
through lead and air
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Copyright 2015 Jane Tims
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art auction – update
At the end of January, 2015, I published a post about the 23rd Art Auction now being held at Isaac’s Way Restaurant in Fredericton, New Brunswick ( https://nichepoetryandprose.wordpress.com/2015/01/26/art-auction/ ).
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Isaac’s Way organizes three auctions each year, each raising funds for children’s charities in one of four artistic areas: dance, art, music, and theatre. The art is sold by silent auction to raise funds for kids-in-need. Since 2007, the auction has raised more than $92,200 !
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The new painting is an acrylic entitled ‘outside-in’ (24″ x 20″, unframed, gallery edges). It is a painting of a dragon guarding a terrarium, based on a photo posted here ( https://nichepoetryandprose.wordpress.com/2015/01/05/one-small-green-world/ )
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The painting ‘outside-in’ was fun to do. The outside has been brought inside in many ways – the mosses in the terrarium, the wood of the table, the vines, the fern pattern on the curtains. And yet, the dragon turns to gaze out the window (sometimes his eye looks at ‘you’). I used four main colours – Chromium Oxide Green, Burnt Umber, Titanium White and Phthalo Blue – and touches of Phthalo Green, Cadmium Yellow and Quinacridone Magenta. To give shine to all the glass and wood in the painting, I used several layers of a tinted glaze.
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The more than 60 art pieces on display at Isaac’s Way will be for sale until May 24, 2015 ( http://isaacsway.ca/art/ ). This auction will sponsor MUSIC lessons for kids.
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Issac’s Way also has, for auction and sale, paintings created live during Fredericton’s recent winter festival, Winterfesthiver ( if you are on Facebook, just look for Winterfest Art Auction 2015 ).
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I am so proud to take part in this worthwhile project.
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Copyright 2015 Jane Tims
a stack of post cards
Saturday, for me, is genealogy day. I am interested in the history of my family and I have a lot of boxes of information to sort through. If I don’t spend a dedicated time to the study of the items in those boxes, the work will never get done. And, I want to try and get my value from the small fee I pay each month to www.ancestry.ca .
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Over the last few Saturdays, I have been studying a small stack of post cards sent to my grandmother (Katie Clark) from 1906 to 1910. There are 174 post cards in the collection. The post cards are one record of her travels to the United States where she was studying to become a nurse.
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Born in Tatamagouche, Nova Scotia in 1890, Katie Clark was raised on a farm with her brother and four sisters. When she graduated from High School, she went to Boston to become a nurse. She was joining her sister Anne who had started her nursing program there the year before.
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Travel from the Maritimes to Boston and other cities along the Eastern Seaboard was common in the early 1900s and was usually by train. Nursing was a relatively new type of professional work for women and men. Professional nursing had been established in the 1860s largely as a result of the efforts of Florence Nightingale and others. By the turn of the century, many nursing schools were established in both the United States and Canada.
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Katie went to school in Newton Lower Falls, on the outskirts of Boston. She studied with two of her sisters (Anne and Laura) and a small group of women and men who became her friends. Katie’s photos show sliding parties and sports activities.
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Photos of winter sledding in Newton Lower Falls from Katie’s photo album (Katie is third from the right in the lower, right photo)
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Photo from Katie’s album of the school’s women’s basketball team (Katie is fifth from the right in the top row; her sister Anne is second from the right in the seated second row from the front)
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Post cards were one way friends and families could stay in touch. The post cards show that cards were mailed even within the same community and sometimes at the rate of two or three a day. The messages on Katie’s post cards often mention getting or sending letters and often ask Katie to send a post card, soon.
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The post cards are mostly scenic in theme. There are also a large number of comedic post cards …
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The card on the left pokes fun at Mother-in-laws (1910) ; the post card on the right is one of many scenic views, this one of the ‘flower pot’ formations near Alma, New Brunswick (1907).
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There are also post cards with seasonal themes, for Christmas, Easter, New Years Day and Valentines Day …
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A few of the post cards are blank, without stamp, post mark, address or message. Perhaps these were delivered to Katie in person as a contribution towards her post card collection. Sometimes the address is the only handwriting on the card. Usually, however, the sender included a brief message to Katie, written in a special space on the back of the card. In some cases the message was written upside-down, or in various blank spaces on both front and back of the card.
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The information on these cards goes beyond the written message. The cards are a record of where Katie was living at various times during the five year period. The post marks and an occasional return address indicate where Katie’s friends were living. The messages contain common expressions of the times. The post card themes tell what subjects interested people and the comedic cards show what people thought funny. And the stamps on the cards are a study of their own.
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In future posts, I’ll have a look at some of the information contained in my grandmother’s stack of post cards.
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Copyright 2015 Jane Tims

































