nichepoetryandprose

poetry and prose about place

Posts Tagged ‘poetry’

holding on to our space

with 3 comments

We are in a competition for space.  A population of geckos has moved into our house.  They are everywhere:

on the wall…

under the cupboard in the kitchen…

on the post in our stairway…

climbing down our picture frames…

on the books in my study…

this little fellow came all the way from Barcelona in Spain
 
and even on the curtains.
 

 

holding on

~

flex knee

reach

determined to stick

~

one foot on wall

will the molecular bond

to adhere

~

reluctant release

of rear foot

now dedicated to

surface past

~

flex knee

reach

~

 

© Jane Tims 2011

Written by jane tims

September 4, 2011 at 7:49 am

landscape

with 3 comments

 landscape: inland scenery (Oxford dictionary)

When I see the beaches and headlands of coastal New Brunswick…

Saint Martins, New Brunswick

 or the flatland and grasses of the western Canadian prairie…

prairie in southern Saskatchewan.. a dust storm on a salt lake bed

… I know landscape influences my life. 

I also know my life has a landscape of its own, with hills and valleys, places to celebrate and places to hide, paths and roads moving ever forward.  When I take the time to be aware of my landscape, to notice the detail and understand nature, I experience the best life has to offer. 

 

landscape

~

a veil

draped across

bones of the earth

pointed tents

supported by forest

and the bent stems of grasses

soft settles in pockets 

lichens and mosses

~

beneath the veil

texture

the ways I follow

quick or crawl

hollows elevations

clear eyes

or sorrow

~

the only way to understand

form follows function follows form

is repeated observation

lay myself on the landscape

allow my bones to conform

feel its nuance

~

see a field of grasses

see also awns and panicles and glumes

~

© Jane Tims, 2011

the parts of a grass plant (from Roland and Smith, 1969, page 68)

Written by jane tims

September 3, 2011 at 6:50 am

under the haystack

with 4 comments

In our area, late summer is haymaking time.  During the past two weeks, almost every field has been at some stage of mowing, bailing, or gathering.  Farmers tried to bring their hay in before the August 28 tropical storm (Hurricane Irene), so most fields are now cut and cleared. 

Haymaking is a picturesque activity.  The cut hay is formed into parallel windrows in the fields, an artist’s lesson in perspective.  The cutting and bailing and drying of hay are all fascinating to watch. 

In the 1960s, at my grandfather’s farm, hay was gathered loose into a horse-drawn hay wagon and stored unbailed in the barn.  One summer, I was thrilled to be asked to help ‘tramp hay’.   As the fluffy hay was forked into the wagon, our work was to compress it by rolling and stomping and jumping.   

Haying methods have changed, of course.  Collecting loose hay is almost non-existent.  Even the smaller square bails are hard to find.  The most common are the cylindrical ‘round’ bails or the white plastic-wrapped silage bails. 

The round bails look like plump shredded wheat…

and the silage bails are giant marshmallows. 

At sunset, the shadows of the round bails make musical half notes on the fields.        

'half notes'

                                            

 

Summer Song

~

Sunbury County

sings in its sleep

            purple vetch

            hop clover

   bluegrass

at the roadside

~

hay in rows 

            a staff

            empty of song

   awaiting

round bails and their shadows

half notes for an oboe

~

honey bee

ditty in the pink and red-hipped

            old fashioned roses

            bid country roads

   enter the covered bridge

glimpses between planking

rock music on the water

tires drum on loose boards

~

deer look up

cattle low in the meadow

            owl to whitethroat  

                        counterpoint

            goldenrod pollens the air

rushes by the Rusagonis River

north and south

~

over Sunpoke

big moon crescendo

~ 

trembles of aspen

diminish

~

Published as: Spring 1995, “Summer Song”, The Cormorant XI (2)

(revised)

© Jane Tims

Written by jane tims

September 2, 2011 at 6:56 am

along the country road #6

with 6 comments

How are the giant statue of a Canada goose at WAWA, Ontario, and the roadside plant White Clover associated?  Read on…

the giant statue of a Canada goose at Wawa, Ontario

White Clover is a common perennial herb of fields, lawns and roadsides.  The plant is also called White Clover or, in French, trèfle blanc.  Flowers are borne in globular heads, pure white or tinged with pink.  The name Trifolium is from tres meaning three and folium meaning leaf.  Repens means creeping, a reference to the long, prostrate stems.

The leaves of clover are in threes, palmately compound, and are occasionally found in fours.  According to superstition, finding a four-leaved clover gives good luck to the finder.  In the 1960’s, my Dad found a five-leaved clover in the grassy field in front of the giant statue of the Canada goose at WAWA, Ontario.

the five-leaved clover my Dad found on the lawn in front of the Canada goose at Wawa almost 45 years ago

Dad pressed the leaves and covered them in a laminating film.  The pressed plant is still among my treasures.

the reverse side of the specimen of five-leaved clover, with my Dad’s printing

We returned in 2002 and searched, but the three-leaved variety was all we found.

we searched in 2002, but I think the lawn had been replaced

Clover is a useful plant.  It ‘fixes nitrogen’, meaning it takes nitrogen from the atmosphere and introduces it into the soil as it grows.  The flowers are a source of honey for bees, and I’ve tasted honey made from an infusion of clover flowers.  Dried leaves can be used for making tea.

Have you ever found a clover leaf with more than three leaflets?  Did it bring you luck?

 

White Clover

Trifolium repens L.

(Three Leaves and Wishes)

~

only to lie

sweet dreaming in the clover

to pull blossoms

from long stems

toss soft snowballs

at blue-bottle flies

~

bees to visit me

florets for nectar

hair splashed on the clover

scented sweet honey

~

to search three leaves for four

creeping across the lawn

to the roadside

to roll in the fields

of white clover

trèfle blanc

blushing

~

 

Warning:
1. never eat any plant if you are not absolutely certain of the identification;
2. never eat any plant if you have personal sensitivities, including allergies, to certain plants or their derivatives;
3. never eat any plant unless you have checked several sources to verify the edibility of the plant.
 

© Jane Tims   2005

Written by jane tims

September 1, 2011 at 8:32 am

the glassed-in porch

with 2 comments

My grandfather lived in a big white farmhouse.  It had rooms and rooms, but the focus of life was the kitchen.  On rainy days, we could play there quietly. 

Sometimes we were allowed to spend the afternoon in the glassed-in porch just off the kitchen.  It was whitewashed, and had filmy white curtains and wide window ledges. 

On those ledges was a fastinating collection of knick-knacks and trinkets.  Examining these items was very entertaining although we were not really allowed to touch anything. 

I have tried to emulate this magical jumble of artifacts in my own home, but some spaces are impossible to duplicate. 

a collection on a window ledge

 

glassed-in porch in rain

~

rainy day glassed-in porch

tall windows and white step

down from the kitchen

to linoleum     wicker table    a cot

~ 

never-used porch door

at the windows, white ledges

keepsakes and trinkets

‘look but don’t touch’

 ~

big clock in the kitchen ticks

red-eared slider frantic against

the frosted sides of his bowl

rain taps at the window

~

irresistible urge to give the turtle

respite, lift the curtain to admire

the rain, lift the velvet lid

of the purple box, Port Maitland

~ 

iron pyrite safe inside, encourage

dippy bird to tip and drink

from the glass of water, blue tulips

and a chip in its rim

~ 

nudge the red and yellow-flocked

parrot above the cot, swing him

on his metal perch, rearrange ceramic chicks

to peck at whitewashed window ledge

~ 

focus rose bowl ruby light

on china pig, puzzle out flowers

and holes on his back, turn the bud vase over

‘where is Occupied Japan?’

~ 

pour buttons from the jar, sort

and match Meteghan sea glass, marbles

in a coffee can, take a ship with scallop shells

for sails along the sill 

~ 

trace paths of hesitant rain

droplets on glass

~

© Jane Tims 2011

Written by jane tims

August 31, 2011 at 7:17 am

in hurricane rain

with 3 comments

Hurricane Irene is past and the skies are clearing after 44 mm of rain yesterday and a very windy night.

I feel so sorry for those who are left in misery after the storm, but our experience was rather tame.  My memories will be:

…bands of rain across the yard…

rain viewed from the window

…waking up to a lawn riddled with leaves…

leaves on our ‘lawn’ of violets…why do they all seem to land upside down?

…a clear sky in the middle of the night.  A star was shining through our window, made alternately non-existent and brilliant by the wild movement of the tree branches in the wind.  The star was so bright it woke me…

the trees above our deck rocked wildly all night long

…our demented windchime.  A mangle at the best of times, the poor thing is so tangled, it may not be possible for me to figure out the puzzle…

my poor tangled windchime …yes it is rusty but it makes a lovely sound

…everything saturated, the bird bath full of clean, fresh water and our driveway like soup…

bird bath and rain

My first knowledge of the power of a hurricane was associated with Hurricane Hazel.  I was born the year it hit in 1954 (October 15), but its ‘bad reputation’ lived long enough for me to hear stories of it as a child.  In its wake, 81 people in Ontario were dead due to flooding, and 4000 people in southern Ontario were left homeless.

Hurricane

~

Hazel

hurled northward

toward home

            and me   bewildered

                        wind at the roof

                        rain at the glass

                                    faint imitation

                                    of the rage

                                    described in the encyclopaedia

                        more like the silent eye

~

I turned the page

saw a photograph in disbelief

            a straw driven

            into the heart of a tree

            still standing

~

today, I believe

~

I stand still

while fury lashes around me

and in the quiet, I

am impaled

by a word

~

Published as: ‘Hurricane’, 1993, The Amethyst Review 1 (2)

(revised)

© Jane Tims

Written by jane tims

August 29, 2011 at 10:04 pm

edge of lake

with 3 comments

Water is essential to my health, not only because I need it to drink.  I also need to see water.  Whether it’s the water of a stream, river, lake or ocean, being near water comforts and enlivens me.  

I like the transitions too, the places where land and water meet – the seashore, the margins of a brook, or the shoreline of a lake.  Birds and other animals love ‘edge’ – places where the food is plentiful and cover is available.  We go to the lake shore to watch loons diving for fish, deer wading in the marsh grass and ducks ‘dabbling’ along the shore. 

edge of lake

 

evening edge

~

of lake

a corner torn

from the loaf of hills

red with setting        

~

faint click

sun gone

dusk and bread crumbs scattered

~

nasal chuckle

from the farther shore

arrows etched on glass        

~

blue-winged teal

under wings a glimpse

of summer night

~

greedy for crust and crumbs

~

© Jane Tims  1998

evening edge of lake

Written by jane tims

August 29, 2011 at 7:12 am

trampled grass on a flat-topped hill

with 2 comments

I change the spaces I enter, even when I enter only for a moment.  I am an intruder.  I am certain feet have scurried into hiding just as I arrive.  Sounds have ceased.  Scents and tastes have been altered.

Once in a while, my difference can be disguised.  I can enter before the space can know I am there.  If I am quiet, if I walk softly, some agent will help me pass through the veil and remain unnoticed, just long enough to see and hear and taste the true essence of the place.  Often, the generous agent is the wind.

It was a favorite hike, an old cart track winding up the side of a dome-shaped hill in the Elkwater Lake area of the Cypress Hills in southern Alberta.  The hill had a flat top and a thick bristle of conifers along the sides.  On the flat top was a fescue grass meadow, a bit of prairie perched a layer above the mixed grasslands. 

a hill at Elkwater Lake ... coniferous woods and grassland on the same hill

The track was not much more than two ruts, worn into the grass.  It curved up the side of the hill, so the approach was gentle, gradual.  Then, abruptly, the hilltop.  If the wind was right, I could surprise the deer.  They yarded there, grazing the grasses, etching paths into the meadow.  

If the wind stayed in my favor, the deer would linger, chewing their cuds, watching me, but not registering my difference.  As long as the wind blew I could watch, but if it settled, my scent would reach the deer.  They would lift their heads and tails and be off in a few zigzag bounds. 

  

 deer yard

on a flat-topped hill

~

1.

below the hill is the distant prairie  

speargrass and grama grass

and the sweetgrass hills of Montana

~

the grass at my feet is different

fescues of the Cypress Hills

flat-topped remnants of the Great Plateau

untouched by glacier scour

~

2.

bless the wind

it sorts the grasses

lifts each hair

ruffles the limp and fine

~

wind nudges the stubble

the artist’s bristle

the tail hairs of the doe

the chop of fresh grass

~

her gentle cud

her watchful eyes

wind in the spokes

of the mule deer wheel

~

the trampled paths

a game of fox and geese

or the part teased by wind

into sun-blond hair

~

3.

if the wind takes a breath

if the grass or the hair 

settles on the shoulder

of the hill

she runs!

~

seeks the safety

of the downslope

downwind 

trees

~

4.

fescue

curious on this flat-topped hill

its rightful place

the ancient prairie

~

Published as: “deer yard on a flat-topped hill”, 2010, Canadian Stories 13 (76)

 

(revised)

 

© Jane Tims

deer on the grasslands of Nebraska (2002)

Written by jane tims

August 28, 2011 at 8:11 am

a place to wait, out of the rain

with 2 comments

My husband and I love to go for drives in the countryside, and we often turn these trips into ‘expeditions for collection’.  For example, in 1992, we began a project to see all the covered bridges in the province; of the more than 60 covered bridges in New Brunswick, we have ‘collected’ about three-quarters.   Recently, we began a quest to see as many waterfalls as possible (the state of my arthritic knees puts the emphasis on the ‘as possible’).

This spring, we set out with a very reasonable goal, to see the three lychgates at Anglican churches in the Diocese of Fredericton (all of the Parishes in New Brunswick are located in the one Diocese).  This idea came from a short article in the New Brunswick Anglican in 1997 by Frank Morehouse (‘Only three lych gates remain in the diocese’).  The three lychgates are at St. Anne’s Chapel in Fredericton, St. James Church in Ludlow, and St. Paul’s Church in Hampton.

Lychgates are an architectural remnant of past practice, dating back to the 13th century.  They were used as a part of the funeral service, a place for the priest to meet the body of the deceased on its way to burial, and a shelter for the pall bearers to stand out of the rain.  The word lychgate comes from the Anglo-Saxon word lych meaning corpse.

A typical lychgate is made of wood, and consists of a roof supported by a framework of two or more posts, and a gate hung from the framework.  Lychgates usually stand at the entrance to the church property or the graveyard.  They can be architecturally ornate. 

Today the lychgate is a picturesque feature of the churchyard, but they also create habitat for wild life.  Spiders tuck their webs in the rafters of the structure where they are safe from wind and rain.  The shingled roof of a lychgate is often a place where lichens and mosses can grow without competition from other plants.

Our collection of lychgates at Anglican churches in New Brunswick is complete.  We found the lychgate in Fredericton on a rainy day in April… 

lychgate at St. Anne's Chapel in Fredericton, on a rainy day

… the Ludlow lychgate on a hillside in early July…

lychgate at St. James Church, Ludlow
 
…and the lychgate in Hampton beside the church and a very old graveyard in August.

lychgate at St. Paul's Church, Hampton... green lichen on the lychgate roof and orange lichen on the stone wall

 
 

a place to wait, out of the rain

~

as if the rain matters

all of us drenched in tears

best for this to be

a grey day

heaven opened

for two way passage

~

the Sentences encourage me

to lift my eyes

and in the rafters of the lychgate      a spider

spinning its web

~

as if it were a tale that is told

about a roof that protected me

the sun shall not burn thee by day,

 neither the moon by night

neither the rain

~

(quotations in the poem are from The Book of Common Prayer, ‘The Order for the Burial of the Dead’,  Canada, 1962)

© Jane Tims 2011

Written by jane tims

August 27, 2011 at 10:07 am

deep waters – Clear Lake

with one comment

As a result of my work, I have been privileged to see some remote, very special places in New Brunswick. 

One of these is Clear Lake, a pristine lake in the south west area of the province.  To reach Clear Lake, we canoed across Sparks Lake and made the short portage from Sparks to Clear.  The portage crosses the narrow divide between two watersheds – Sparks Lake eventually flows into the Magaguadavic River, while Clear Lake is part of the Pocologan River system.

topographic map showing Clear Lake, Horseback Lake and Sparks Lake

Clear Lake is a deep lake with remarkably clear water.  Lake depth measurements from the New Brunswick Aquatic Data Warehouse show the maximum measured depth to be 29.6 meters (97 feet), although deeper depths have been recorded.  Stones on the bottom of the lake look like they are only centimetres away, but when you put your hand into the water, you quickly realise they are far out of reach.

standing beside Horseback Lake, a small lake just west of Clear Lake, October 1992 (photo by J. O'K.)

 

Clear Lake

~

behind us

dry leaves settle

waves on Sparks and Redrock

~

Clear Lake

bottle blue

silences our chatter

reeds and aluminium

whisper

~

we glide

~

between islands

group of seven trees

flung southward

quartz cobbles

rim the shore

dark Porcupine

bristles with conifers

tangled in the surface

plunge eighteen fathoms

to a cove

gathered in arms

of granite and pine

a cabin perched green

shadows peering

over the edge                                               

~

sudden and silent

sunken logs

caressed by crescent suns

cast through ripples

only a touch away

~

through the mirror

shattered

numb fingers search

down

down

~

essence always

out of reach

~

dissolved

in the clear lake         

~

 

Published as: “Clear Lake”, 1999, River Revue 5

(revised) 

© Jane Tims

Written by jane tims

August 26, 2011 at 6:57 am