nichepoetryandprose

poetry and prose about place

Posts Tagged ‘drawing

my eraser is my friend

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I spent a quiet morning drawing a new image for the fourth book in my science fiction series.

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Meniscus: Crossing The Churn and Meniscus: South from Sintha have been published. I am now waiting for editing and a proof of Meniscus: Winter by the Water-climb (to be published in July). In the meanwhile, I have some time to continue work on the fourth book, Meniscus: The Village at Themble Hill.

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The Village at Themble Hill is the most tragic of the four books to date. Odymn, sometimes reckless, breaks her leg and then falls from a tree. How did she get in that tree and will she survive?

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I am the first to admit my drawings are not perfect. I have no specific training and my hand does all the work so it takes all the blame. However, I love to draw. It is engrossing and being able to illustrate my own books has helped me tell my stories.

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I begin by reading the text of the story to choose a scene I want to illustrate. I usually have the composition of the scene securely in my head as a result of the writing. Then I pose my little wooden model, find some photos to help me with the human form, and get to work. I have decided to show you the stages for a particular drawing.

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In this scene, Odymn and the Slain have decided to explore The Fault, to make sure there are no unknown ways for the Gel-heads to gain access to the new Human settlement. The Gel-heads have invaded before, carrying off prisoners and trying to murder those they leave behind.

 

The Slain pulls his map from his pack.

Yellowed vellum. Corners worn.

Ink marks gloss the edges.

The Slain’s finger follows The Fault.

 

“We’ll go scouting,”

he says. “Make certain

there are no other stair-steps

carved in rock.”

 

“No other water-climbs,” says Odymn.

 

She hears what the Slain does not say.

He tires of life in Garth —

rules, duty rosters

and expected conversation.

 

“When do we leave?” says Odymn.

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I begin with a quick sketch to establish the position of my characters. I use a 2B pencil and eraser. I think the eraser is the most useful of my drawing tools!

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Then I start to consolidate the lines and sketch in some background.

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The next step is to establish some of the shadow in the drawing. As you can see, a Q-tip is almost as important to me as the eraser!

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Odymn is always the easiest to draw. She is a bit quirky, so her facial expressions mask her beauty. The main challenges are her hair and her nose which always tries to develop a hook.

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The last thing I draw is the Slain’s head. He is a most difficult character/subject. I always get him too young or too old, too dark or too light. Sometimes he insists on looking a bit like a caveman!

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The final drawing is almost exactly the scene I saw in my head. Odymn and the Slain look a little uncertain about what they will find on their adventure. As you can see, when you use an eraser, you also need a brush to shoo the eraser bits away without smudging the drawing.

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With a few minor edits, this drawing will accompany this part of the story in The Village at Themble Hill. The Slain and Odymn will have some dangerous adventures as they travel along The Fault.

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What do you think of my process and my final drawing?

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Copyright Jane Tims 2017

 

 

Winner … what is ‘beelwort’?

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I am happy to announce the winner of my contest ‘What is beelwort?’ Beelwort is a mysterious item mentioned in the first book of my Meniscus sci-fi series — Meniscus: Crossing The Churn. My books give only small hints about the nature of beelwort: it get slipped into pockets as a joke and, although edible, is not very palatable.

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The winner of the contest is Allan Hudson. Allan is the editor of the South Branch Scribbler, an on-line blog exploring the arts. Every week Allan posts an article, guest blog or question and answer session about an author, musician or artist.  Have a look at http://allanhudson.blogspot.ca/ The blog includes some interesting insights into the process of writing and the methods of some well-known authors.

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Allan’s answer to the contest defined beelwort as ‘… an edible, hallucinogenic fungus only found on Meniscus …’  To this, I will only add ‘rather squishy’. Beelwort will finally be defined, using Allan’s definition, in Book Five of the Meniscus series — Meniscus: Karst Topography. Also, Allan will receive a postage-paid copy of my first poetry book within easy reach, poems about eating wild edible plants (available at http://www.chapelstreeteditions.com or on Amazon).

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Meniscus: Karst Topography (I took geology as a minor in university) is in draft form at present. However, the first book in the series — Meniscus: Crossing The Churn — is now available at Amazon in paperback and Kindle formats.

https://www.amazon.ca/dp/B06XPPNCGF/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1

Meniscus: Crossing The Churn is a science-fiction adventure/romance describing the meeting of Odymn and the Slain. Written as a long poem, it is a book about loss, freedom and relationship. The remaining books in the series will bring new characters into the mix and tell a story about building companionship, family and community on a dystrophic planet where even casual contact between humans is discouraged.  Don’t let the poetry format put you off! The tale is told in short lines, written as concisely as is possible to tell a story!

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Thank you to Allan for entering the contest! Your book within easy reach is in the mail!

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Belnar, one of the characters from Book Two is into the honey mead, but he could be eating beelwort!

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Copyright Jane Tims 2017

 

 

words from the woodland – bird song

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I have a lot of projects underway, mostly on the ‘administrative’ side of writing.  I have been ordering and revising a manuscript of poems on abandoned aspects of our landscape ( see https://nichepoetryandprose.wordpress.com/2015/01/19/first-and-last-and-in-between/ ).  Now, I have reached the point where I really need to set the manuscript aside so I can approach it with a fresh eye in a couple of weeks.  So I will use the days between to order another manuscript of poems about sounds from the woodland.  The poems mostly use animal and bird sounds and songs as metaphors for human communication.

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Some of these poems have been around a while, packaged in another form.  In the last weeks, I have been thinking about the bird song metaphor and now I am ready to consider the poems in relation to one-another.  Perhaps I am responding to the Black-capped Chickadees, chattering in the Tamarack.  Or the Hairy Woodpecker who comes every few days to beat his head against our telephone pole.  Perhaps I am thinking more than usual about human communication (having just learned to ‘Twitter’).

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January 8, 2012 ‘two Mourning Doves’ Jane Tims

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drawing doves

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‘… cease to mourn …’

Virgil, Eclogue I

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grey sighs beneath graphite

or where eraser softens

troubled feathers

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doves lament, disturb

fine detail, mourn

the fingers’ tremble

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pencil strokes beak

and fingernails, kernels

of corn, husks of sunflower

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Copyright  2015  Jane Tims

Written by jane tims

January 30, 2015 at 7:17 am

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