first draft
This past weekend, I finished the first draft of the third novel in the Kaye Eliot Mystery Series. This is my favorite part of the long process of working on a book.
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I plan my novel to an extent. From the beginning, I knew the basic story: Kaye Eliot finds a packet of old postcards and is set on a search for a valuable stone. The idea for the story was sparked way back in 1989 when I first saw an abandoned stone house during field work in Nova Scotia. I also had most of my characters to work with: Kaye and her husband and two kids. And Daniel Cutter, a stonemason, a character introduced in Book Two of the series. To read Book Two (Something the Sundial Said), click here.
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As I write, I let the characters and story take me where they want to go. Sometimes this takes me in unusual directions. Unless an idea is ridiculous, I usually run with it.
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The props I encounter in the story have their own push and pull. The stone house, the postcards, a stone chimney, a set of architectural plans. When these objects are repeated in the story, they become symbols of ideas in the book.
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The next stage in writing is the revision. This means reading the book, cover to cover, over and over. I will fix the misspellings and grammar, I add some description. I polish the dialogue. I adjust the story points. I fix the names of villages and bridges and social groups in the story. I do some research. Revision takes the bulk of the time devoted to writing the book, probably 80%. I do at least ten revision sweeps.
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I love the first revision. Although I wrote the first draft, reading it for the first time, cover to cover, is like discovering a new book.
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Next post, I will talk about choosing a title for the book, not as easy as it may seem.
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All my best.
Please stay safe.
Jane
Pareidolia
pareidolia: the tendency to perceive a specific, often meaningful image in a random or ambiguous visual pattern
(Merriam-Webster Dictionary)
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When you look at marble, or at clouds in the sky, or bubbles in a glass of milk, do you see faces? Can you see The Man in the Moon? Pareidolia refers to the seeing of human faces or other images where they don’t exist. Pareidolia is a normal human tendency.
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I often see images in the marble patterns of our flooring. It can be quite entertaining. Mostly, I see animals. I think it is the biologist in me!
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Perhaps aliens also have pareidolia. In my upcoming book Meniscus: The Knife, I devote a chapter to this phenomenon. On planet Meniscus, there is a dirth of paper. One of my early characters, Ning, made paper from plant fibres for her girlfriend Kathryn, an artist. By Meniscus: The Knife, Book 8 in the series, (spoiler alert) only three sheets of Ning’s paper remain. Don-est, the alien child, wants to draw, so Kathryn shows her how to draw on the marble walls of the dwellings in the Village.
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Vicki sets her laundry
on the marble floor.
Tries to see
what Don’est is doing.
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As her eyes adjust
to smoky light,
she sees markings on the walls.
Drawings of bug-eyed evernells
and fuzzy elginards.
A slear-snake
with myriad eyes.
A cardoth moon,
slim sickle
of glowing white
in marble green.
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Don’est feels eyes on her.
Swivels her neck.
“What do you think
of my drawings?”
she says.
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“What are you doing?”
says Vicki.
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“I asked Kathryn for paper
but she has only a sheet or two
of the paper Ning made.
“So she showed me
an idea she had.
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“The marble walls,
you see,
have hidden secrets.
Lines and shadows
look like evernells
and Humans and slear-snakes
and grammid trees.”
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Vicki looks
at faint green lines on the walls.
Sees an old man in the pattern.
A thready waterfall.
A leaf-bare tree,
branches reaching for sky.
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“But what are you using to draw?”
she says.
“
Eyebrow pencil.
Kathryn and Ning
found it on a transport
long ago.”
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All my best,
staying at home,
drawing on the floors and walls,
Jane
spring flowers
Our dominant ground greenery at this time of year is from the leaves of lily-of-the-valley (Convalleria majalis). Like emerald flames they light up the yard. And now they are in bloom. The fragrance is amazing!

All my best
and please stay safe at home.
Jane
my place, my niche
All of us, as we self-isolate and stay at home, have become more familiar with our own place or space. We also have become familiar with our ‘niche.’ It is also a sort of space, but is more about how we use that space.
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My space, on the macro-scale, is in the Northern Hemisphere and the temperate zone. I love the four seasons: perhaps summer, with it’s high humidity, least of the four. I live in a rural area; the bird chorus I hear each morning is associated with mixed hardwood and softwood. For more information on our ‘grey woods’ click here.
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Our house seemed big when we built it 40 years ago. Today it is considered modest with two floors, three bedrooms and a loft. As I grow older, arthritis means I hang out mostly on the main floor. But upstairs, the loft stores my genealogy interests and the library holds all my books. On the main floor is my computer, my bird watching corner, my sewing basket and my drawing and painting supplies. Often, my husband is there too. So you see, I have most of what it takes to make me happy.
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My space is more and more often in cyberspace. These days my family and friends are mostly there, on Facebook and Messenger. Just today I had my first meeting on Zoom.
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I spend about half of my day on the computer, in one phase or other of one of my writing projects. Last week our wifi went down for four days. Usually, I refer to the on-line dictionary or thesaurus about once every fifteen minutes. With the wifi down, I wondered for a moment what to do and then thought, “Thesaurus. Dictionary.” A little dusty but serviceable.
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So what is not part of my niche?
Music. I have a piano which I can play. And a guitar. And I have a stack of discs and a way to play them. I also have a small selection of my favourite music in my iPad. I tell myself it would be good to include more music in my life, in my ‘niche.’ So far it is only a thought.
Exercise. I will start by saying I do about 30 minutes of yoga-like stretches every morning. Otherwise I would not be able to get out of bed. If you follow my blog you know I am also dedicated to my stationary cycle but, since the first of the year, it aggravates my knees and I have not been doing this with any regularity. I have plans to reincorporate exercise into my niche, but so far, it is also a thought.
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Of course, the world is full of possibilities and I have many gaps in my space/niche. I have interests in coins, stamps, games, puzzles, calligraphy and so on. I have no interest in flying kites, cooking, speaking another language or clock-making. But perhaps, someday, one of these may insinuate itself into my niche. So much to include, so little time!
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So, what is in your space? Your niche? What is not in your space/niche?
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All my best,
staying at home, wearing my mask in public,
Jane
bird songs in the grey wood
Today I sat on the back deck and listened to the birds. I can’t stay for long because our robin who has returned for year three gets upset with me. The photo below was taken in 2018, but taking a new photo just gets the robin very agitated.
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So, here is the list for today:
mourning doves – hooo hooo
northern parkland last – whirrrrr-zip!
robin – cheer cheer cheery weee
ovenbird – t-cheer, t- cheer, t-cheer
hairy woodpecker – pit, pit, pit … this fellow has been beating on the metal flashing of our roof daily. This morning he began at 5:30. Just before sun-up. I took the photo below in 2017.


All the best to you,
staying home and
in my two household bubble.
Jane
next book in the Meniscus Series: the Gel-head dictionary
From the beginning, I have included an alien language dictionary at the end of my science fiction books. Gel-speak is the common language on the planet Meniscus. Many of my Human characters speak a little Gel-speak; the genetically-altered Humans, the Slain, speak it fluently. In each book, there are lines of Gel-speak, usually translated, occasionally not.
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The Gel-speak language originates with the Gel-heads, the most maligned of the aliens on Meniscus. The intelligent Dock-winders also have a language but it is not spoken in the presence of other species.
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By the eighth book, I have added to the dictionary until there are 170 words.
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The Gel-speak language has a grammar, or set of rules governing the words and their order. There are verbs and nouns, articles and adjectives. The Gel-speak language includes many of the same sounds as English and includes a ‘click’ at the end of certain words. Any linguists among you are now laughing.
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So, with the dictionary, you can count in Gel-speak to five:
u-hath – one
ull – two
undel – three
urth – four
v-hath – five
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Gel-speak words have ‘roots’ and build on one-another. For example, here are words associated with the female gender:
ora – light
ora-nee – home
ora-nell – female
ora-nell-elan – mother
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or, with the idea of sharing a hearth:
parelan – family
parennel – friend
pargath – hearth
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OK linguists, you can stop laughing now. This is fiction, after all.
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Want a look at the entire dictionary? Have a look at the books in the Meniscus Series, beginning here.
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All my best,
staying home (ora-nee),
and staying in my two-family (ull-paralan) bubble,
Jane
next book in the Meniscus Series: the illustrations
For the last two days, I have been in a drawing mood. Not many authors illustrate their books (not including those who work on graphic novels), but I love this part of the process.
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I have had lots of discussions with readers about the right and wrong of illustrating. Some think it takes away from the reader’s wonderful ability to imagine characters and scenes. Others think the illustrations take a reader deeper into the author’s intentions. As an author, I think drawings help get my ideas across. Since my books are told as narrative poetry, my words tend to be vary spare and I think of the drawings as extensions of the narrative.
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I include two types of drawings in my books: portraits of the characters and sketches of the action.
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The portraits are useful to me as a writer. They help fix the character’s face so the image does not migrate from book to book. I am really proud of the portraits and looking at them inspires my writing.
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I am also proud of some of my drawings of scenes from my books. When the drawing is close to the idea I want to portray, sometimes it suggests new details in the text. Some drawings are not so good but I rarely re-draw. Instead, I think of these as representative of the weirdness of planet Meniscus. It reminds me of a line from my favorite TV show Lost. Daniel Faraday, on his first visit to the island says,
The light… it’s strange out here, isn’t it? It’s kind of like, it doesn’t, it doesn’t scatter quite right.”
On Meniscus, the pencil doesn’t behave quite right.
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In every book, there are 23 +/- 4 drawings. Some are portraits or repeats of earlier scenes. Today, I did two drawings, both unique to Meniscus: The Knife.
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All my best,
staying home
and staying in my two-family bubble,
Jane




















