nichepoetryandprose

This past weekend, I finished the first draft of the third novel in the Kaye Eliot Mystery Series. This is my favorite part of the long process of working on a book.

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I plan my novel to an extent. From the beginning, I knew the basic story: Kaye Eliot finds a packet of old postcards and is set on a search for a valuable stone. The idea for the story was sparked way back in 1989 when I first saw an abandoned stone house during field work in Nova Scotia. I also had most of my characters to work with: Kaye and her husband and two kids. And Daniel Cutter, a stonemason, a character introduced in Book Two of the series. To read Book Two (Something the Sundial Said), click here.

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As I write, I let the characters and story take me where they want to go. Sometimes this takes me in unusual directions. Unless an idea is ridiculous, I usually run with it.

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The props I encounter in the story have their own push and pull. The stone house, the postcards, a stone chimney, a set of architectural plans. When these objects are repeated in the story, they become symbols of ideas in the book.

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The next stage in writing is the revision. This means reading the book, cover to cover, over and over. I will fix the misspellings and grammar, I add some description. I polish the dialogue. I adjust the story points. I fix the names of villages and bridges and social groups in the story. I do some research. Revision takes the bulk of the time devoted to writing the book, probably 80%. I do at least ten revision sweeps.

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I love the first revision. Although I wrote the first draft, reading it for the first time, cover to cover, is like discovering a new book.

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Next post, I will talk about choosing a title for the book, not as easy as it may seem.

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All my best.

Please stay safe.

Jane