Posts Tagged ‘reading’
more blueberries!
Tomorrow, Saturday October 22, 2016, I am giving a reading of my book ‘within easy reach’ and a short talk about eating local foods, especially wild plants. The reading will be for a regional meeting of local chapters of the New Brunswick Women’s Institute. Their theme this year is ‘pulses’ and the nutritional benefits of eating beans, lentils, chickpeas and split peas – foods harvested dry – affordable, protein-packed and delicious!
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I will be reading poems from my book, taking the Institute members on a tour of local foods – from the forest floor to the field, to the garden and the farmers market, as well as foods grown inside the home kitchen.
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I will also have a door prize for my reading, a painting of wild blueberries. ‘Sweet Hurts’ is 5″ X 7″ with gallery edges, done in acrylics using Ultramarine Blue, Cadmium Yellow, Cadmium Red, Titanium White, Paynes Grey and Burnt Sienna. The name ‘Sweet Hurts’ comes from an alternative name for the Low Sweet Blueberry.
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Looking forward to this reading, my fourth this month!
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Copyright Jane Tims 2016
writing a novel – being the reader
At some point during the writing of a novel, the writer must become reader.
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The writer reads their work, over and over and over. Eventually, the sentences and paragraphs, the story itself, become so familiar, the writer can’t ‘see’ them properly any more.
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The writer has two disadvantages.
First is familiarity. The writer knows every detail of the story, even details not written down. The writer’s mind fills in the gaps and the poor reader is, perhaps, left wondering. But the reader has experience as well. The writer has to know how much detail to include and how much to leave to the imagination. Sometimes the details the reader fills in make the better story. Have you ever read a book, having a perfect idea of what the protagonist looks like, only to be told, mid-way through the story, he has a twitch in one eye?
Second is love. Writers tend to become enamoured of their characters, their stories and their own writing. A description or sub-plot or character may take root and grow within the novel, even though it has little to do with the larger story. Once written, it is difficult to rip those paragraphs from the whole. Keeping track of word number will help, since it is an objective measure of progress towards a goal. In my novel ‘Crossing at a Walk’ I often write bits that I later remove. Too allay the fear that they will be lost forever, I have a file for a bone-yard – I can always return to this pile in future. I rarely do. ‘Murder your darlings‘ (Arthur Quiller-Couch, 1914).
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The writer must also consider the questions the reader is asking as he or she reads the book. If the book hints at a problem or something that needs resolution, the reader will watch for an answer. For example, if a character mentions she has heard a cousin is coming to visit, the reader will wait for the cousin to arrive. If the cousin never shows up, the result may be a disgruntled reader.
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I read my book, cover to cover, at every draft. I also think it’s important to read it aloud at some point, once the story is complete. Reading aloud to another person will give the writer some feedback. The act of hearing the word spoken will also suggest problems with rhythm, word choice or continuity. I read aloud to my husband and to the members of the two writing groups where I am a member.
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In the end, the writer cannot be an objective reader. Every writer must find a test reader, someone who will provide honest feedback on characters, plot and story, as well as editorial advice.
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Copyright 2015 Jane Tims
I’m a Shelf Monkey!
I see myself in many roles in this life – mother, wife, reader, writer, botanist, artist, friend, sister, and so on. Recently, I have added one more role … I am a Shelf Monkey!
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My life as a Shelf Monkey began when I responded to a message from ecw press in Toronto. They seek folks who love to read and would be willing to write a review of one of their titles.
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To be a Shelf Monkey, you must be 16 years or older and live in Canada or the United States. Once ecw accepts you as a Shelf Monkey, they ask you to read and review one of their books. First, they email you a choice of books. Then you are entered into a draw (since there are other Shelf Monkeys). If you win the draw, you receive an advance reading copy of your chosen book in the mail. Your book review can be by Blog, Facebook, Amazon, and so on. They encourage posting a review within a month of receiving the book.
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For more information on becoming a Shelf Monkey, see http://www.ecwpress.com/be-shelf-monkey .
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I am currently reading my first Shelf Monkey book – Born to Walk – The Transformative Power of a Pedestrian Act by Dan Rubinstein (ecw press, 2015, Toronto). I chose the book because of my interest in mobility and the simplicity of the idea – walking can transform our lives. I should be finished the book within the next couple of weeks and I’ll be posting a review on my Blog.
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I would read faster, but the first chapter has inspired me to get out and do more walking!!!
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Copyright 2015 Jane Tims
in the apple tree
How many hours did I read in the apple tree in my grandfather’s orchard?
At least a couple of hours every day were spent lost in a book.
I was ten or so and my reading was relatively simple – Nancy Drew, Anne of Green Gables, Blue Castle, animal stories by Thorton W. Burgess , and books about a young adventurer named Madge Morton. Most of these were books my Mom had given me, and a few were borrowed from my aunt’s summer house. Have a look at ‘books about natural spaces’ to see some of my favorites. Are you old enough to remember some of them?
The search for a comfortable place to read has often eluded me. Today I read at my desk or in the car. Anything more soothing and I fall asleep, in spite of the quality of the read.
Where is your favorite place to read a book?
reading in the orchard
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comfortable limb of
apple tree, how many
books read in the days of
summer, mysteries, tales of
plucky girls, animals personified, sunlight
and apple-shadows highlight words
sentences and paragraphs read at
a glance, breezes turning pages
faster than I read, solve
the crime, blood as red as apples
creaky doors and creepy windows
branches rub together somewhere in
the orchard, forget to go in
for supper, my mother’s voice written into
story, calling
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© Jane Tims 2011

































