Posts Tagged ‘main character’
writing a novel – the community as a character
One of the first things I did as I was beginning my novel is create character sketches for the people in my book. By knowing as much as possible about the characters, I knew how they would react in any circumstance.
As I wrote, I began to wonder of the community itself could be a character in my book. Communities certainly have characteristics… they may be tolerant or intolerant, modern or traditional, rural or urban and so on. Sometimes a community has a mixture of these characteristics.
Famous examples of books where the community has character include Harper Lee’s To Kill a Mockingbird (J. B. Lippincott & Co., 1960) and Peyton Place by Grace Metalious (Julian Messner, Inc., 1956).
People in the community in my book will respond to the abandonment and disposal of a church both as individuals and as members of the community. In any community, places of worship are important. Churches are important to the community for their religious significance, but also for their historical connections.
Communities in rural New Brunswick, as elsewhere, are not homogeneous. In my own community, there are people whose families have lived here for generations. Other families have just moved here, attracted by the community’s rural character and by its nearness for commuting to work. Sometimes this heterogeneity is a source of divisiveness in a community. More often people from these different parts of community live together in harmony, coming together for school events, community sports or just neighborliness.
The community in my novel will also be heterogeneous, composed of people of different backgrounds and interests. For simplicity’s sake, I am thinking of them in three categories.
1. Many of the characters in the community will be part of the ’embedded community’, people whose families have lived in the community for generations. These will include most of the members of the church congregation.
folks who were born and raised in the community
they all have good eyesight or wear contacts
second from the left is the Minister, Oliver Johnston
2. Other characters will belong to the ‘commuter community’. These will be people who have moved into the community from away. They love its rural qualities. The community is also near enough to the city for them to be able to work there.
the one on the right is my main character
the man to the left of my main character is her husband… looks a little like a movie star from the 50s
I went to university with the lady on the far left
Of course, within these groups will be people who have their own interests and loyalties. For example, there may be members of the commuter community who fit very well with the embedded community. There will be those who are part of the congregation of the Landing Church and those who are not, those who will be interested in the church because of its historic importance and those who are not that interested in preserving its history.
3. There will also be a negative element in the community in my book. This element will behave very badly and I think of this as the ‘aberrant community’.
Ed Blake, the ‘bad guy’ in my novel
my sister will say he looks like Spock from Star Trek
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To help me plan the interactions between these three community components and the main character, I made a graph to guide my main character’s relationships through the book.
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I want the protagonist’s relationship with the aberrant component of the community to begin on a neutral note and deteriorate with time.
Her relationship with the commuter component of community will begin high and remain that way throughout the book.
A main source of tension in the book will be her relationship with the embedded component of community. At first, she is an outsider who thinks she can solve everything by moving and re-purposing the church, and her relationship with the embedded community is very poor. However, during the book, she learns to be more understanding about the community and they learn she is not really so bad after all. This relationship will grow in a positive direction during the book.
As I write, I will check with my time-line to see if the relationships I am writing about are staying true to my graph.
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Copyright Jane Tims 2012
writing a novel – why couldn’t I invent a ‘character generator’?
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So the poet has decided to write a novel…
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Title: unknown
Working Title: unknown
Setting: an abandoned church (in part)
Characters: main character a writer (not a very successful writer) who spends a lot of time at some other creative endeavor
Plot: unknown
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Characters are the stuff of novels. I am sure someone has written a novel without characters, but for me … no character, no action … no character, no growth …
The characters in my novel were not in my head before I started writing. Once I knew a little about my setting, I began to write and the characters began to suggest themselves.
A lot of writers have said this to me. Begin the story, and the characters and plot will start to unfold. Stephen King says (in Chapter 4 of his book On Writing – A Memoir of the Craft, Scribner, 2000): ‘Stories are relics, part of an undiscovered pre-existing world.’ So, with not much more than an idea for the setting, I began to write.
My main character emerged as I started to write about the setting (the old abandoned church). I like to write in the first person, so this character was immediately ‘I’. But, of course, this does not mean my protagonist is ‘me’.
Before I had written three pages, I knew my main character, the ‘I’ in my book, wanted desperately to be a successful writer. But she (still not ‘me’) was also noticing things in the setting that showed she was doing something else with most of her time. Whether she admits this to herself or not in the book, it will be revealed to the reader. Or perhaps a clue is contained within this post…
So, I have my main character. But what about the other characters? Why couldn’t there be a tool for writers called the ‘character generator’, a simple device a writer could use to build the basic characters. Get the characters and the story writes itself, correct???
My ‘character generator’ would look a little like one of those oragami-type fortune-tellers we used to make in school. A number was chosen, fingers flopped back and forth and some ‘secret’ was revealed.
My character generator would be similar, only it would tell the color of the character’s hair, perhaps if he or she was timid or brave, and what sort of work she or he would be good at… a very three-dimensional character… well, it’s a start…
So you think this idea is too ridiculous for words??? Did you know (I discovered this from reading Stephen King’s On Writing ), in the 1920s a writer named Edgar Wallace is credited with creating a Plot Wheel. When a story-teller came to an impasse, all the writer had to do was consult the Plot Wheel to see what should happen next. Once the wheel was spun, the writer could read the result… perhaps one result would be ‘heroine tied to railroad track’ or ‘heroine rescued’… Since then, I suppose many computer-based plot generators are available. I think I will discard my idea of a simple ‘character generator’.
So, now I have a main character who is a writer, but who spends most of her time in some other creative endeavor than writing. Perhaps this is where her real talent lies, or perhaps it is a ‘diversionary activity’. Perhaps she is just using this to avoid facing her fear of never becoming a successful writer.
You see, ‘I’ is not ‘me’.
Copyright Jane Tims 2012
writing a novel – getting started
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So the poet has decided to write a novel…
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Title: unknown
Working Title: unknown
Setting: an abandoned church (in part)
Characters: main character a writer (not a very successful writer)
Plot: unknown
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Before beginning my novel, one of the steps I have taken is to read several books on how to write a novel. This is not because I believe a novel can be written if you just follow some rules. I do want to think about how the novel is constructed and to hear what successful novelists say about their craft.
I have been reading various perspectives on writing the novel and I will talk here about three of these:
1. Stephen King, On Writing – A Memoir of the Craft (Scribner, 2000).
Though I don’t usually seek after the horror genre in books, Stephen King has my admiration for his ability to take you ‘deep into story’. I can’t think of another passage as well done as his description of the running topiary figures in The Shining (Doubleday, 1977), or his chilling account of a father trying to save his son from running into the road in Pet Sematary (Doubleday, 1983). His book On Writing is, itself, highly readable, and contains excellent advice for a writer. I’ll try to pay attention to his cautions about adverbs (she said resolutely) and about using the passive voice (the parishioners abandoned the church, not the church was abandoned by the parishioners). He also says I have to ‘stand in the corner’ if I use the phrase ‘at this point in time’.
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2. Phyllis Whitney, ‘Guide To Fiction Writing’ (The Writer, Inc. Publishers, Boston, 1982).
Phyllis Whitney’s Thunder Heights (Appleton-Century-Crofts, Inc., 1960) was among the first adult mystery novels I ever read and in my early twenties, I devoured her books. I read her every chance I got, often while everyone thought I was studying. The interesting thing about her Guide to Fiction Writing is how different writing is today. The Guide suggests extensive planning of the novel, working out outline, plot, and characters in labelled sections of a binder. I had to do this for my first book, since it nearly drove me wild trying to remember when such-and-such occurred and whether my character was wearing a pony-tail or not in the chapter before. However, at this point in time [get in the corner, Jane], everything can now be put in a single computer file! And blessings on Word and the ‘Find’ search feature. The advice I have taken from Phyllis Whitney? – do a detailed word sketch about each of your characters. I have done this with my present cast of characters and I believe knowing how the characters will behave in various circumstances helps the story write itself.
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3. John Braine, ‘Writing a Novel’ (McGraw-Hill, Inc., 1974).
Although I have yet to read a novel by John Braine, I love his no-nonsense approach to giving advice. He says not to write a novel if you are ‘married or permanently entangled’, and suggests a first novel ‘shouldn’t be written much before the age of thirty’. Also, he absolutely advises against making the main character a writer. Bad luck for me, I have decided my main character will be a writer, although not a particularly successful writer. Braine does have advice I plan to take. In particular, he presents the following sentence: ‘he got up, went downstairs, and hailed a taxi’ … he says, ‘test every sentence against it; if any has that same flat, dead quality, rewrite or cut it.’
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a born writer – a young girl, writing about her experience at the Falls, on any surface she could find – I snapped this photo at Athabasca Falls in Alberta in 2003
And so I am writing my novel with the best advice… and now you know my main character is a writer… but what else will I have her be?
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Copyright Jane Tims 2012
nichepoetryandprose 