Posts Tagged ‘characterization’
writing a novel – still editing
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Title: unknown
Working Title: Saving the Landing Church
Setting: a writers’ retreat, including an abandoned church
Characters: main character Sadie, a writer; her husband Tom; people from the community
Plot: the story of how Sadie tries to win over a community in order to preserve an abandoned church
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Still editing.
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I am on Draft #7 of my novel. In this draft I am going chapter by chapter through the whole novel to look for opportunities for improvement:
- I need to make sure I am showing, not telling. Instead of telling the reader that Sadie is afraid, I try to show the reader her fear, by writing about her accelerated heart rate, her dry throat, how her shoes seem stuck to the floor, and so on.
- I need to be sure I not only describe how the scene looks, but also include the smells, the sounds and the tactile experiences.
- I am still looking for words I repeat in consecutive lines, a hard-to-break habit of mine …
One of the tools I have constructed to help me with fine edits is a chart about the characters. I have character sketches (in both words and drawings) for each person in my novel, but it is tedious to refer to these over and over. So, I constructed a table with the important details – how old the person is, what they look like, and so on.
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Especially helpful is a list of the words he or she uses. For example, Sadie says ‘dinner’ for the six o’clock meal. Her husband says ‘supper’. Sadie uses the word ‘graveyard’, while most of the local people say ‘cemetery’.
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I have 44 characters in my book, including both major, minor and dead characters. This is probably too many, but it is a book about a community. Here is my table for a few of my characters:
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| Character | Occupation | Nickname | Characteristics | Age in 2005 | Words they use |
| Sarah Hatheway | writer | Sadie | Plain, thin, oval face, short brown hair | 42 | Bed and Breakfast; silly; retreaters; dinner; graveyard |
| Tom Hatheway | welder | Sadie’s husband; strong, short grey hair, pale | 48 | B & B; hey girl; clients; supper; graveyard | |
| Oliver Johnston | minister | 42 | graveyard; supper | ||
| Emma Southkind | homemaker | Keeps a journal; solid; yellow purse; curly grey hair, gentle | 59 | cemetery; supper | |
| Mark Southkind | retired train conductor | 60 | cemetery | ||
| Katherine Birch | writing coach | Kitty | Language a bit coarse | 62 | graveyard; dinner |
| Alexandra Connelly | student | Tall; long brown hair | 16 | supper | |
| Joe Connelly | accountant | Alexandra’s dad; widowed; tall | 45 | graveyard |
writing a novel – characters with a point of view
As some of you will know, I have been working on a novel since November of last year. Although I have been quiet about it in my Blog, I work on my manuscript almost every day and the plot is getting tighter with every edit. I now have 83,000 words, 23 chapters and 273 pages.
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The novel has the working title ‘Saving the Landing Church’ and is about a woman, Sadie, who decides to buy an abandoned church as a learning center for her new writers’ retreat. People in the community where Sadie lives have mixed opinions about her undertaking and Sadie meets a lot of opposition as she sets about acquiring and moving the church to its new location.
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The book is written in the first person, past, from Sadie’s point of view.
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When I completed the second draft of the novel in January, I asked a few people in my family and my writing group to read it and tell me what they thought. I also workshoped Chapter Twenty at the Maritime Writers’ Workshop Winter Retreat in February and received many helpful comments from the workshop participants. I have obtained useful analyses from several people, most especially my niece who has read the draft carefully and given me many useful insights and edits. Various members of my two writers’ groups have also listened to parts of the novel and provided ideas for improving the writing.
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One of the most consistent comments I have received is about one of my main characters, Sadie’s husband, Tom. Tom is not well. He has an advanced condition called Welder’s Lung and his doctors have given him less than a year to live. This situation is one of the main drivers behind setting up the writers’ retreat – it will give Sadie a livelihood after Tom is gone.
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The criticism about Tom has been that his only role in the book seems to be to die. Readers have consistently told me they want to find out more about him. One of my writing group friends suggested I try writing the book from Tom’s point of view. She said she knew I would resist this idea, and, sure enough, my first response was ‘No way!!!’ … my book was almost done, my book was perfect! And write from a man’s point of view? … squiggle!
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Tom, Sadie’s husband … he is looking a bit battered by his illness, but he is willing to do anything to help his wife
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However, I thought about the possibilities and decided it might be interesting to write a small part of the book in Tom’s voice. I looked at each chapter and extracted a bit of the conversation or action that I thought might be better seen from Tom’s point of view. In some cases, Tom’s viewpoint immediately solved the problem of segments where there was no action, only Sadie’s thoughts about where she was in her quest for ownership of the church.
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The new parts of each chapter were surprisingly easy to write and it took me less than three weeks to develop Tom’s ‘words’. As Tom’s voice began to emerge, I realised that Sadie has some things wrong … an example is her analysis of Tom’s response to his illness. To her, he has given up all hope. Tom sees his response not as despondent, but resolute. Also, Sadie has a consistently passive response to some quite violent behavior in the community. Tom takes nothing passively. Confronted by opposition, he responds in kind. And he has a couple of pals from his days on the construction site who will help him in any endeavor.
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Tom also wants a dog and the introduction of Jasper, a German Shepherd mix puppy, to the action has been so much fun to write. Try adding a dog to your own novel or plan for a novel. At the height of the action, who is taking care of the puppy???
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Responding to people’s editorial comments is difficult. First, your ego has to be tamed. Then, you have to decide if the edit will really improve the draft. I try to look at every comment objectively but this is so hard. I give extra weight to a comment made by more than one person since this suggests the reading public may have a similar response. I know, however, that when all is said and done, it is my book and I have to make the decision to edit or not to edit.
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My experience with the ‘Tom re-writes’ shows me that sometimes a seemingly radical comment can lead to an improved draft. Writing from another character’s point of view can suggest new ways of working out plot problems, add dimension to the story and background, and take the narrative in new and interesting directions. I strongly suggest looking carefully at each character in your story, writing a good character sketch for each and considering every bit of action from their point of view. As your characters find their way through the story, they will reveal unique ways of responding to the action.
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As for my squirming about writing as if from a man’s point of view, this was easier to do than I first thought. Tom’s character was embedded in my head, so I had a good idea of how he would respond to a given circumstance. His ‘voice’ and reactions are unlike Sadie’s, so there is a significant difference in the words they use and the way they express their ideas. Tom also speaks in the present or immediate past tense, so his ideas are more visceral and lack the reflection brought by time. As for thinking like a man, I think Tom is likely from Saturn, rather than either Mars or Venus! And he likes quiche.
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Lots of fun …
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Copyright Jane Tims 2013































